Soviet Photography (263 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Trade Paperback. Condition: Used.

Trade Paperback. Condition: Fine. No Jacket. 76, (4) pp.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Very Good. No Dust Jacket. First Printing. No dust jacket. ; With an essay by Alexander Lavrentiev. ; 240 pages.

Hard Cover. Condition: Like New. Like New. This landmark book which is the inspiration for and companion to the exhibition of the same name will feature the work of thirty-eight of the Soviet Union'sfinest photographers. Bendavid-Val writes that the new photographers are searching for truth and in so doing are redefining reality. 123 black-and-white photographs.…

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fine. 80pp. 9 5/8" x 11 3/8". Photographic wraps. Cover photo is by Antanas Sutkus, Pioneer, from the series "People of Lithuania." Photo on verson is by Marek Gardulski. Various photographers and articles. Issue is in Fine condition with hardly any shelf wear. See Contents photo for more information.…

Hardcover. Condition: As New. Dust Jacket Condition: As New. Hardcover 1991 edition. Dust jacket and boards in as new condition. Binding firm. Pages unmarked and clean. (132 pages).

First Edition. First edition. Softcover. Fall 1989. 76 pages. Includes images by these photographers: Boris Mikhailov, Boris Savelev, Lyalya Kuznetsova, and Peeter Laurits. A near fine copy in wrappers.

First Edition. First edition. Hardcover. 132 pages. Features text by Leah Bendavid-Val. Includes numerous black and white images by a wide range of photographers like Vladimir Bogdanov, Elena Darikovich, Sergei Koroljov, Pavel Krivtson and others. A near fine copy in a near fine dust jacket.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. Unmarked. Some sun fading on cover. This issue looks at the decade following the October Revolution. Includes an interview with Dmitri Baltermants, subverting the legacy of Socialist realism, photographs by Boris Savelev, and more. 80p. Measures 9.5x11.5 inches.

Soft cover. Condition: Very Good. Laurence Miller Gallery, New York, 1992. Softcover, 56 pp. Catalogue for an exhibition of Selected Works from the Schickler/Lafaille Collection. This show took place from January 3 to February 15, 1992. Very good condition with edge wear, slight rubbing of wraps.

Hardcover. Condition: Good.

First Edition. First Edition. Near Fine and unread in glossy full-color perfect-bound wrappers.

softcover. Condition: Used; Very Good. First Edition; First Printing. Numerous full page photographs. Essay by Max Kozloff. Published on the occasion of the exhibition of selected works from the Schickler/Lafaille Collection at the Laurence Millery Gallery, New York, January 3 - February 15, 1992. ; Tight, clean and crisp. A hint of very light shelf wear, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. . …

Hardcover. Condition: Very Good. text clean and unmarked. binding tight. boards have light wear. edges of pages have very light wear.

Softcover. Condition: Very Good.

Condition: Near Fine. Dust Jacket Condition: No Dust Jacket As Issued. B&W Photographs; 8vo; 240 pages.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. 1st. ed. 1983 , Red cloth hardcover with the dust jacket, 255 page book with black and white photo plates , 369 illustrations 302 in dou tone . Condition : Fine / dj is Very Good with some small nicks and chipping also price clipped. Size: 4to - over 9¾" - 12" tall. Various Contributors (illustrator). Book.…

Hardcover. Condition: As New. No Dust Jacket. First Edition; First Printing. Book as New. Printed decorated boards without a DJ as issued. NO markings od ANY kind. ; Ships in a box, USA. ; 11.2 X 9 X 0.9 inches; 240 pages.

Paperback. Condition: Fine. Fall 1989 issue (paperback). Color and black and white photographs throughout. Fine in oversized pictorial wraps.

Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Good. Buchram tan cloth cover. Red photographic Dj with chips and a piece missing on back cover. Brodart Cover. 12 X 9.5 with 264 pp. Many photographs. 3 pounds.

Soft cover. Condition: Very Good. Exhibition catalogue. 12 x 9 inches. 56 pp. b/w photographic illustrations throughout. Photographic wraps. Faint damp stain along front wrap joint, extremities rubbed, no internal markings. Very Good.

Hardcover with dustjacket, 264 pages, very good condition except small tear to dj at top of spine; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Good. A fascinating account of the avant-garde photo-based arts from the early Soviet Union, featuring many previously unpublished imagesFinalist for a 2015 National Jewish Book Award in the Visual Arts category Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers. Covering the period from the Revolution to the beginning of World War II, The Power of Pictures considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.Published in association with the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York (09/25/1502/02/16)Frist Center for the Visual Arts, Nashville (03/11/1607/04/16)Joods Historisch Museum, Amsterdam (07/24/1611/27/16). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Hardcover. Condition: New. New oversized hardcover in decorative paper over boards. Pages are clean and free of marks or underlining. (11.2 x 9 x 0.9 inches) Includes a bibliography, index, b&w photos, and prints. 240 pp. Fast shipping in a secure book box mailer with tracking. A fascinating account of the avant-garde photo-based arts from the early Soviet Union, featuring many previously unpublished images Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers. Covering the period from the Revolution to the beginning of World War II, The Power of Pictures considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.…