Published by Keith Green, San Francisco, 1976
Seller: Alta-Glamour Inc., Seattle, WA, U.S.A.
Comic
1st Printing. [28]pp., including semi-glossy color covers, and b/w interior. A collection of stories and art by S. Clay Wilson. Includes: Lester Gass, The Midnight Xenophobe. Whip Tip Tales. Motorcycle Mellow Drama. Insect Angst, et al. Listed in Kennedy as 2x2 / Two Squared, with only one printing; also listed by other sources as 2.2 / Two Squared. Saddle-stapled wraps. Covers worn, split along spine, and detached. Reading copy.
Published by Keith Green, San Francisco, 1976
Seller: Tree Frog Fine Books and Graphic Arts, Beaverton, OR, U.S.A.
First Edition
Soft cover. Condition: Fine. 1st Edition. Comic Book. Standard Size and Formant. First Printing. Color illustrated cover with black/white interior art. Priced $1 bottom inside front cover. All art by S Clay Wilson. Without page numbers. VERY FINE. Not read. As new but for crease to bottom right corner. All other corners pointed and binding tight, without stress creases and square. Without creases, chips or tears. Not marked and very bright, glossy and clean. All items carefully packaged and sent boxed.
Published by Keith Green, San Francisco, CA, 1976
Seller: Rare Book Cellar, Pomona, NY, U.S.A.
First Edition
Softcover. First Edition; First Printing. Very Good in stapled wraps. All art by S Clay Wilson. Without page numbers.
Published by Keith Green, San Francisco, 1976
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Near Fine. First printings. Quartos. Stapled illustrated wrappers. Overall near fine with light wear.
Paperback. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. First issue with .75 cents printed price at base of front inside cover. INSCRIBED & dated in 1983 by S. Clay Wilson to renowned collector of vampire literature Bongo Wolf at the head of first page. About fine in stapled pictorial wrappers. (Faint crease at upper right hand corner of front cover. ) One of Wilson's more elusive titles with a significant association between two aficionados of the weird.