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Sumer Work Progress by Bell Larry (7 results)
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Paperback. Condition: Very Good. Interior very good or better clean and unmarked, staple binding, two scratches and a few tiny dot like stains on front cover.
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Sumer A Work in Progress Bronze Calligraphy by Larry Bell
Published by The Harwood Museum, University of New Mexico, 1995
Softcover, staple-bound, 24 pages; very good condition; clean and crisp, no internal marks.
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Sumer: A Work in Progress, Bronze Calligraphy by Larry Bell
Published by Art et Industrie January 1996, 1996
Trade Paperback. Condition: Used - Very Good. Very nice clean, tight copy free of any marks.
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Sumer: A Work in Progress, Bronze Calligraphy by Larry Bell
Published by Art et Industrie January 1996, 1996
Trade Paperback. Condition: Used - Like New. Very nice clean, tight copy free of any marks.
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Sumer : A Work in Progress, Bronze Calligraphy
Published by Art et Industrie, 1995
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Seller rating 4 out of 5 stars
Soft cover. Condition: Fine. Very slim, stapled softcover exhibition catalog, September 6 - October 5, 1996. Description: 24 pages: illustrations. No marks or flaws; no sign of use or handling.
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Soft Cover. Condition: Fine. This is a fine softcover copy with no wear at all. Completely clean inside and out. Signed by Larry Bell on the title page, to a friend. This catalog was prepared to accompany the exhibition at Art et Industrie in the fall of 1996. Essay by David L. Witt. Long text by Larry Bell explaining the narrative context of these bronze sculptures. Illustrated in black & white. 8" high X 9" wide, 24 pages. Signed by Artist.
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Sumer: A Work in Progress. Bronze Calligraphy by Larry Bell. (Exhibitions at The Narwood Museum, University of New Mexico, Taos, 20 October - 23 December 1995; Boulder Museum of Contemporary Art, 1 March - 28 April 1996).
Published by New Mexico: The Harwood Museum, University of New Mexico, Taos., 1995
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Seller rating 5 out of 5 stars
Condition: Good. 8vo. Square format. 24 pp. Soft Cover. Stapled Binding. Black and white plates. Very Good, light fading along spine.Provenance: From the collection of the Art Historian Peter Selz.
