Survage: First Edition (23 results)

hardcover. Condition: Used-Very Good. First Edition. Pbk. 4to. Profusely illus. Some shelf-wear. Else bright, clean copy.

1st ed. - With bibliography. - Softcover.

soft cover. Condition: fine. first edition. N° 11 - mars 1948 - Série nouvelle Tome II - Mensuelle illustrée - broché - 80 pages.

Hardcover. Condition: Good. First Edition. French edition. Ex-library copy with stickers and stamps. Hardcover in jacket, jacket taped to boards. Text is unmarked. Binding strong. Moderate wear. Good condition.

soft cover. Condition: fine. first edition. N° 11 - mars 1948 - Série nouvelle Tome II - Mensuelle illustrée - broché - 80 pages.

Volume: 1 19x14 cm. in brossura, esterno editoriale, pp. 91 (4), prima edizione francese, piccole abrasioni e normali segni d'uso e tempo, prima pagina bianca staccata, buone condizioni.

Agrafé. Condition: Bon exemplaire. Edition originale. Plaquette présentant l'exposition organisée du 14 au 31 mars. Quatre reproductions, dont le triptyque central. Liste de 26 des oeuvres exposées. SURVAGE (illustrator).

An exhibition catalogue. 50 works by Survage described and illustrated, with many full-page color plates. Edition limited to 500 numbered copies. Folio. Original wraps. Fine and bright.

Hardcover. Condition: Fine. Dust Jacket Condition: Good. First Edition. 188 pages (complete). In French throughout. A most pleasing copy. The dustjacket is fresh, smart, very slightly scuffed. The blue cloth boards are pacifically tranquil and healthy. The contents are in immaculate condition. The pages are very clean, very clear, very tidy, vibrant, vivacious - as if new throughout. fk. Our orders are shipped using tracked courier delivery services.…

Soft cover. Condition: As New. 1st Edition. 88 pages illustrated with black-and-white and color reproductions of the artist's work and biography. Scarce. Photos provided upon request.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2017. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée sous jaquette illustrée . Format in-4°(.28,7 x 25,4 cm )(.1130 gr ). ------ 168 pages . **************************** 4ème de Couverture : "" Peintre et poète, né à Moscou, contemporain de Larionov et Malévitch, Survage arrive à Paris en 1909 où il suit quelques temps les cours de Matisse puis découvre le travail de Cézanne dont il subit l'influence par l'utilisation du rythme comme élément constructif de la surface et par la simplification des formes. Il expose pour la première fois au Salon des Indépendants, dans la salle des cubistes. Très vite il s'intègre au milieu des peintres de Montparnasse et développe un vocabulaire pictural très personnel en se détachant du cubisme. Précurseur, il entreprend en 1912 un projet de film d'animation de 3 minutes, les « Rythmes colorés » pour lequel il effectue 200 compositions abstraites, qui le place à la fois parmi les premiers peintres abstraits et parmi les créateurs du cinéma en couleur. Le rythme est l'élément fondamental de son oeuvre : « La surface plane est le domaine sur lequel évoluent les images. La forme est génératrice d'un rythme ou d'un réseau de rythmes. Du rythme naît la sensation d'espace qui suscite, à son tour, l'impression de durée. Le rythme est le facteur constructif d'une surface. Il l'organise et en scelle l'unité. Il est formé par les contours du corps ». Montré au Salon des Indépendants en 1914, exalté par Apollinaire dans les Soirées de Paris, la guerre mettra fin au projet et le film ne verra pas le jour. "" ***************************** ref 87e86FD. …

HARDCOVER. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Large Quarto size (4to) in bright blue linen covered boards, white lettering to spine and front cover, 187pp, colour plates, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (slight bump to top corner tip of rear cover) in an almost AS NEW complete Dust Jacket (minute crease to flap fold corner tips, looks new in its removable transparent protector). An excellent copy ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Broché. Condition: Très bon. Ed. originale. 1 volume broché, plat supérieur de la couverture titré sur étiquette imprimée, non paginé, illustré d'un dessin de Survage en frontispice. Léopold Frédéric Léopoldovitch Stürzwage, dit Léopold Survage, Moscou 1879 - Paris 1968, peintre, naturalisé français en 1927. Quatrième cahier de la deuxième série "Douze". Edition originale. Tirage limité à 200 exemplaires, celui-ci un des 175 exemplaires numérotés sur vélin. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ). Léopold Survage (illustrator).…

Paris: Guy Lévis Mano (G.L.M.), juin 1938. Un volume 19,3x14,3cm broché, (36) pages avec un dessin de Léopold Survage daté de 1938 et reproduit au trait en frontispice. Bon état. Édition originale tirée à 200 exemplaires: 1/175 sur vélin. De 1923 à 1974 Guy Lévis Mano (1904-1980), ouvrier typographe et poète a imprimé et édité plus de 500 livres de poésie d'auteurs français et étrangers allant du surréalisme à Garcia Lorca, ou de Louise Labé à Andrée Chedid. "Le style typographique de G.L.M., qui fera rechercher ses livres dans l'avenir comme les plus représentatifs de notre époque, est parvenu à ce même équilibre heureux entre les audaces modernes et la plus sûre tradition."(Albert Béguin, 1949). Livres.…

Couverture souple. Condition: Bon. Edition originale.

Couverture souple. Condition: Bon. Edition originale. 32 PAGES-LES SUITES DE L'INTERVENTION EN TCHECOSLOVAQUIE ET LES PRISES DE POSITION DU P.C. FRANCAIS, 2P-LES PREPARATIFS DE LA REFORME REGIONALE DANS LE DISTRICT PARISIEN ET EN PROVINCE II LA QUERELLE DES POUVOIRS ET DU MODE D'ELECTION DU CONSEIL DE REGION, 2P, PATRIOTISME ET ACTIVISME BRETONS III DECOLONISER LA PROVINCE-AU MUSEE DES BEAUX ARTS DE LYON RETROSPECTIVE LEOPOLD SURVAGE PAR MICHEL CONIL LACOSTE, SIXIEME DE PAGE-AU MUSEE NATIONAL D'ART MODERNE NOUVELLKE SALLE LETTRISTE, CALDER, POLLOCK, ARMAN, LATOUR, LEMAITRE-L'AMENAGEMENT DU QUARTIER DES HALLES UN QUARTIER ANCIEN SUR UNE VILLE SOUTERRAINE ULTRA MODERNE SOUHAITE LE CONSEIL DE PARIS, TIERS DE PAGE-.…

Couverture souple. Condition: Bon état. In-8 25 x 19 cm. En feuillets, couverture rempliée, dos muet, premier plat imprimé en rouge et illustré en noir, 47 ff., illustrations en bistrte. Bon exemplaire. édition originale tirée à 775 exemplaires numérotés. Celui-ci, l'un des 700 exemplaires sur vélin du Marais, enrichi d'un envoi de l'auteur.…

Soft cover. Condition: Good. 1st Edition. 4to. Original card covers, rubbed and cracking at spine with slight loss. Uncut and unopened. No.334 one of 300 copies on vélin, from a total edition of 355. Fine hand-coloured (pochoir) frontis, 47 monochrome plates, illustrations in text. Léopold Survage (18791968) (variant names Léopold Sturzwage, Leopold Sturwage, Leopoldij Sturzwasgh, Leopoldij Lvovich Sturzwage) was an important French painter of Russian-Danish-Finnish descent born in Vilmanstrand, Finland (with selected references indicating a birthplace of Moscow, Russia).At a young age, Survage was directed to enter the piano factory operated by his Finnish father. He learned to play piano, then completed a commercial diploma in 1897. After a severe illness at the age of 22, Survage rethought his career and entered the Moscow School of Painting, Sculpture and Architecture. Introduced to the modern movement through the collections of Sergei Shchukin and Ivan Morozov, he cast his lot with the Russian avant-garde and, by 1906, was loosely affiliated with the circle of the magazine Zolotoye runo (Golden fleecesee also Maximilian Voloshin). He met Alexander Archipenko, exhibiting with him in the company of David Burlyuk, Vladimir Burlyuk, Mikhail Larionov and Natalia Goncharova. With Hélène Moniuschko, later his wife, he travelled to Western Europe, visiting Paris in July 1908. The couple eventually settled in Paris where Survage worked as a piano tuner and briefly attended the short-lived school run by Henri Matisse. He exhibited with the Jack of Diamonds group in Moscow in 1910 and first showed his work in Franceat the urging of Archipenkoin the Salon d'Automne of 1911.From 1912, Survage produced abstract compositions entitled Coloured Rhythm. He planned to animate these works by means of film, using colour and spatial movement to evoke sensation. He saw these abstract images as flowing together to form "symphonies in colour", but he exhibited them separately at the Salon d'Automne in 1913 and Salon des Indépendants in 1914. Articles on these works were published by Guillaume Apollinaire (Paris-J., July 1914) and Survage himself (Soirées Paris, July-August 1914). In June 1914, in order to develop his idea, Survage unsuccessfully applied for a patent to the Gaumont Film Company. Had he later been able to raise the funds, he would have preceded Viking Eggeling and Hans Richter as the first to develop abstract films.Beginning in 1917, Survage shared a studioand a penchant for alcoholic excesseswith Amedeo Modigliani in Paris. Survage later moved to Nice and, over the next eight years, produced highly structured oils and works on paper linked together by a series of leitmotifs, repeating groups of symbolic elementsman, sea, building, flower, window, curtain, birdas if they were protagonists in a series of moving images. The influence may have been Marc Chagall's, an artist well known for his insertions of floating couples, cows, roosters, and sundry Jewish iconography. By 1922, Survage had begun to move away from Cubism in favour of the neo-classical form. He was perhaps influenced by commissions for Serge Diaghilev's Ballets Russes, beginning with sets and costumes for Igor Stravinsky's opera buffa Mavra at the Paris Opéra in 1922. Although mainly a painter, he also produced stage, tapestry, and textile designs during this period (notably for the house of Chanel in 1933). Toward the end of the 1930s, as a result of his contact with André Masson, Survage became increasingly charmed by symbols and mysticism. The curvilinear forms that had previously dominated his compositions came, once again, under the control of geometric structure.Survage was inducted into France's Légion d'Honneur in 1963 and died in 1968.…

In-8, box janséniste vieux rouge, dos sans nerfs; larges encadrements intérieurs ornés de jeux de filets dorés, doublures et gardes de soie moirée beige, doubles gardes de papier marbré, tranches dorées sur brochure, couverture illustrée. Etui (L. Lévêque et R. Mondange).Edition originale illustrée à chaque page d'encadrements dessinés par Survage. Tirage unique limité à 770 exemplaires numérotés sur vélin du Marais.…

First edition. Wrappers, fine. 222 x 310 mm. Copy 4 of 15 on vélin de Lana, this is one of 9 containing an original charcoal by E. Hellens (total edition 45, all containing 2 original signed gravures by Staritsky). This copy has been enriched with a two-page manuscript essay by Franz Hellens "Eloge du Pissenlit". Staritsky, Ania (illustrator).…

Couverture souple. Condition: Bon. Edition originale. Le Courrier graphique, n° 73, juillet 1954. voir le sommaire en photo. 21,5 x 27 cm - 86 pages. bon état (aucune annotation).

Couverture souple. Condition: Bon. Edition originale. Catalogue Survage. Rythmes colorés 1912-13. Musée d'art et d'industrie - Saint Etienne, 1973. catalogue rassemblant textes et documents, reproductions en noir et blanc et , quelques unes, en couleur. 22 x 24 cm, 120 pages, bon état (minces salissures et plis sur les couvertures).…

Couverture souple. Condition: Assez bon. Edition originale. Art et décoration, août 1933. contient notamment quatorze pages sur le IVe Salon de l'Union des Artistes Modernes (Sognot, Chareau, Herbst, Templier, Carlu, etc.), six pages sur Leopold Survage, douze pages sur la Ve Triennale de Milan, 21,5 x 30 cm - 48 pages. état correct (petites déchirures sur les couvertures et le dos). …