Thomas Demand, Signed (20 results)

Broschur. Condition: Gut. auf Titel mit Widmung signiert von dem deutschen Künstler und Fotografen Thomas Demand (*1964). leichte Gebrauchsspuren. signed by Demand. Size: 4°. Vom Künstler signiert. Buch.

Condition: Gut. 86 S. Beiliegende Karte von Helmut Friedel signiert. Text auch englisch. Ein gutes und sauberes Exemplar. - IN THE STOMACH OF AN ARCHIECT. By Douglas Fogle -- UNKOWN UNUSUAL HISTORY -- TRACE OF HUMAN PRESENCE -- CHAIN OF ASSOCIATION -- PERSONAL AND HISTORICAL -- SUSPENSE. By Bart Loosma. ISBN 9783883758763 Sprache: Englisch Gewicht in Gramm: 257 Mit zahlr. farb. Abb. Originalhardcover.

Hardcover. Condition: Very Good. 1st Edition. Book appears unread, with a hint of toning to page edges. Autographed by Demand and Eugenides on title page, and inscribed by Marcoci to p/o. A gorgeous collection of photography and text, uncommon signed. 144 pages. 13-1/4 x 10" oblong. 3.5 pounds. Signed by Author(s).

Original-Broschur. Condition: Gut. 1. Auflage. auf Titel mit Widmung signiertvon dem deutschen Künstler und Fotografen Thomas Demand (*1964). leichte Gebrauchsspuren, Schnitt etwas stockfleckig. signed by Demand. Size: 8°. Vom Autor signiert. Buch.

Hardcover. Condition: Near Fine. 1st Edition. US orders ship with signature confirmation. 2005 oversize oblong hardcover exhibition catalog 1st edition (nap) flatsigned and dated by the artist in the year of publication. Very slight tilt to spine and tiny dent and rub on cover, else fine. No dj as published. Oversize book extra shipping charges will apply for international and priority orders as this will not fit into a flat rate envelope. Signed by Author(s).

Original-Leinen. Condition: Gut. 1. Auflage. auf Titel mit Widmung signiert von dem deutschen Künstler und Fotografen Thomas Demand (*1964) . leichte Gebrauchsspuren. signed by artist Demand. Size: quer 4°. Vom Künstler signiert. Buch.

Hardcover. Condition: Fine. First Edition. Conceptualized by Thomas Demand (b.1964) himself, this book includes three components: a newspaper, a magazine and a book--each of them published on different paper. The newspaper presents the artist's older works; the magazine, printed on glossy paper, introduces new photo works in color and stills from the film Trick; the book portion documents the exhibition architecture. Signed by Demand on the title page. Octavo. Original printed gray paper-covered boards; issued without a dust jacket. A fine copy.

Hardcover. Condition: Fine. First edition. 11 1/2'' X 9 3/4''. 502pp. Signed by Thomas Demand on the title-page. In original slipcase. Previous owners stamp on paste-down.

Hardcover. Condition: Fine. 1st Edition. A fine UK slipcased first edition & first printing hardback - in a fine slipcase - My books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY THOMAS DEMAND - Pictures available upon request THIS IS A HEAVY BOOK AND EXTRA POSTAGE WILL BE REQUIRED. Signed by Author(s).

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. SPECIAL ORDER. PRICING & AVAILABILITY SUBJECT TO CHANGE. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). Limited slipcased edition of 100 hand-numbered copies, this being #8/100 (plate pasted-on front free endpaper notes edition number), with a 12-1/8 x 14-3/8 inch original archival pigment print, "Detail XII, 2005," image size 8 1/2 x 10 1/8 inches (numbered and signed in pencil on verso by Demand, print edition 100, printed in 2005 for this edition) laid in a separate cloth portfolio for presentation (protected between sheets of archival paper). The image is perfectly suited to the matte paper-textured surface of the print. Both the book and photograph (in cloth portfolio) fit inside the larger cloth slipcase. About the book: First edition, first printing. Hardcover. Photographically illustrated laminated paper-covered boards, with photographically illustrated dust jacket. Photographs by Thomas Demand. Edited by Eckhard Scheinder. Texts by Ralph Rugoff and Julia Franck. Includes a biography. 128 pp., with 66 four-color plates, beautifully printed by EBS, Verona, Italy. 12-1/2 x 14-7/8 inches. Out of print (sold out upon release). Very scarce. Published on the occasion of the 2004 exhibition Thomas Demand: Phototrophy at the Kunsthaus Bregenz, Austria. As New in publisher's original packaging. Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. From the publisher: "Thomas Demand is one of the most celebrated contemporary photo artists. At first sight, Demand's pictures, say of a kitchen, a copy shop, or a car park, seem like depictions of everyday places. Yet on closer inspection they turn out to be reconstructions of reality: Demand creates life-size environments made of paper and cardboard and accurate down to the smallest details, photographs these "re-creations" and then destroys them. The pictures that arise in this way put their finger squarely on the drab aesthetics of the modern office world and architecture. Demand's sculptural and somehow filmic simulations, completely devoid of people, lead us into a world of models, in which a "faked" reality blends with the memory of a real reality to generate vividly cool images and to investigate the concept of virtual reality that plays such a key role in our technological multimedia age. This major monograph presents 66 key works from 1993 to the present." Signed by Author.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. All sets numbers 1-6 (36 books),total cost is 17,000$. The price of a single set of 6 books is 3,500$. 14 1/4x11 inches, cloth, Dust Jacket. Jo Ann Callis: Performance; Thomas Demand: The Stove; Kikuji Kawada: Japan 1951-1960; Michael Kenna: Confessionali; Richard Misrach: Misrach (Swimmers); Andrea Modica: L'amico del cuore. First Edition, Limited edition: No. 87 of 100 copies numbered in pencil in the colophon. Six volumes each containing an 11 x 14 pigment prints titled, numbered and signed by six photographers comprising this set. All volumes housed in cloth slipcase. New. Signed by Author(s).

First Edition. First edition. Softcover. Exhibition catalog for a show that ran June 6 through September 2, 2001. Text in English and German. Includes numerous color and black and white illustrations. A fine copy in wrappers. Signed and inscribed by Demand on the title page and uncommon thus. Signed.

Hardcover. Condition: Very Good. Signed. First Edition. Two volume set, slipcased, signed by Thomas Demand. Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost.

Hardcover. Condition: Near Fine. 1st Edition. Museum of Modern Art, New York, 2005, Signed by Jeffrey Eugenides on title page. Large oblong hardcover (10 x 13 x 0.75 inches), 144 pp, an ambitious work including the short story "Photographic Memory" by Jeffrey Eugenides, an 82 page "Photographs" section mostly featuring full page or cross page images, "Exhibition and Selected Bibliography". Boards are decorated with abstract chromogenic prints. In Near Fine condition with only slight ding on top edge of front board, and minor scratching to same board. A monumental work in many ways. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. IMPORTANT NOTE: These publications are only available in the complete limited edition series of 36 total titles in six Sets (items 107746, 108056, 109664, 109822, 110463 and 112341). Individual titles or Sets will not be sold separately (no exceptions will be made to this policy). SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). SET FIVE: Volume One: Jo Ann Callis: Performance. Includes a pigmented inkjet print (image size 10 x 12-1/2 inches). Unpaginated, with 23 four-color plates. Volume Two: Thomas Demand: The Stove. Includes a Type-C print (image size 12-1/4 x 10-1/4 inches). Unpaginated, with 19 four-color plates. Volume Three: Kikuji Kawada: Japan 1951-1960. Includes a pigmented inkjet print (image size 12-1/2 x 8-3/8 inches). Unpaginated, with 25 black-and-white plates. Volume Four: Michael Kenna: Confessionali. Includes a gelatin silver print (image size 8-3/8 x 8 inches). Unpaginated, with 26 black-and-white plates. Volume Five: Richard Misrach (Swimmers). Includes a pigmented inkjet print (image size 10-1/8 x 13-3/8 inches). Unpaginated, with 16 four-color plates. Volume Six: Andrea Modica: L'amico del cuore. Includes a gelatin silver print (image size 8-3/4 x 7 inches). Unpaginated, with 20 black-and-white plates. New in publisher's original packaging. ABOUT THE SERIES: Published over a seven-year period, the Six by Six Series includes limited edition books and prints by some of the most important contemporary photographers working today. 2010-2016. First edition, first printing. Limited edition of 100 hand-numbered copies, and 36 artist's proofs, all of which were given to the 36 participating "Six by Six" artists. Each Set (of six Sets) is comprised of six volumes, each with an original, signed and numbered print (Type-C print, gelatin silver print, platinum print or archival pigmented inkjet print) on 11 x 14-inch paper (image sizes vary) laid into the book in an archival protective clear polyester film (Mylar) sleeve. The six volumes and accompanying prints are contained in a custom black Japanese cloth-covered slipcase, with the series title debossed on one side. Each of the volumes shares the following format: Hardcover. Fine Japanese cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered on a small printed paper tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white (a special viscous "Daido black" ink and varnish are used) or four-color offset plates (varies between 16 and 33 plates), exquisitely printed on Nazraeli's special exclusive heavyweight Japanese paper. 15 x 12 inches. [All six Sets share this same design and format, and are housed in matching slipcases.] SIX BY SIX SETS: SET ONE (released in 2010) featured Anthony Hernandez, Todd Hido, Raymond Meeks, Martin Parr, Toshio Shibata and Mark Steinmetz. SET TWO (released in 2011) featured Joe Deal, Tanya Marcuse, Joe Mills, Stephen Shore, Alec Soth and Risaku Suzuki. SET THREE (released in 2012) featured William Christenberry, Eduardo Del Valle & Mirta Gómez, John Divola, Daido Moriyama, Karin Apollonia Müller and Carrie Mae Weems. SET FOUR (released in 2012) featured Robert Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Doug Rickard. SET FIVE (released in 2014) featured Jo Ann Callis, Thomas Demand, Kikuji Kawada, Michael Kenna, Richard Misrach and Andrea Modica. SET SIX (released in 2016) featured Roger Ballen, Mike Brodie, Jim Goldberg, Katy Grannan, Idris Khan and Marilyn Minter. From the publisher: "We are pleased to announce Set Five of our award-winning limited edition series "Six by Six." This subscription-based Series comprises 36 titles, published in six sets of six titles each, over a [five] year period. Each title in the series is limited to 100 hand-numbered copies, printed on our exclusive heavyweight Japanese paper and bound in Japanese cloth. Each book contains a separate exhibition-quality original print, numbered and signed by the artist, on 11 x 14 inch paper. The hardcover, oversized (12 x 15-inch) books and accompanying prints are contained in a custom-made slipcase. The current price for the series is $36,000 ($1,000 per book). Existing subscribers are locked in at their original price." Signed by Author.

4to. Softbound. First edition. Signed by Demand dated 2001. Exhibition catalog with color plates and an essay by Lars Lerup. Bilingual text. Very fine (small, faint stray mark).

Künstler: Demand, Thomas . Verleger: Salon Verlag . Herausgeber: Theewen, Gerhard . Datum: 2006. OPappbd. mit einem beiliegendem, vom Kuenstler gesteltetem Orig. Ex-Libris, dieser vom Kuenstler hs. nummeriert und signiert. Auflage: 200 Expl. Dieses Exemplar traegt die Nr. 45/ 200. 46 Seiten, 2 farb. Taf., geheftet. Format: 24,3 x 16,3 cm. "Die von Gerhard Theewen herausgegebene Edition Ex Libris kann man als eines der wichtigsten Editionsprojekte der letzten Jahre bezeichnen. Der fuer die Edition eingeladene Kuenstler waehlt ein fuer seine Arbeit bedeutendes Buch aus, fuer das er einen neuen Umschlag entwirft und unter seinem Namen als Reprint praesentiert.Dieses Buch aus der Bibliothek des Kuenstlers wird durch das von ihm gestaltete Ex Libris zu seinem Buch und wird in der Bibliothek der Sammler und Bibliophilen unter seinem Namen eingeordnet werden. Laengst vergriffene Buecher werden so zu Quellenwerken und tragen zum Verstaendnis der Arbeit zeitgenoessischer Kuenstler bei. So erhaelt der Begriff Kuenstlerbuch eine gaenzlich neue Dimension. (salon-verlag). tadelloses Exemplar/ mint copy.

No binding. Condition: New. Dust Jacket Condition: New. 1st Edition. An original, Type-C Lambda print, "Bullion, 2003," signed in black ink by Demand, numbered 85/100 and dated on label applied verso. Paper size 11-3/4 x 11-3/4 inches (30 x 30 cm); Image size 11 x 11 inches (27.9 x 27.9 cm). This work is from the edition of 100 (plus 15 APs) published by En/Of and accompanied by a 12-inch 45rpm vinyl record by Pan American titled "Memorize" with four tracks (Side A: 01. Lights On Water; 02. Calle Tipica; Side B: 03. In Harbor; 04. Ray From Hawaii). The print and record are enclosed in a printed, hinged, double album sleeve. 12-1/4 x 12-3/8 inches. Fine (the print is flawless). Demand's meticulously reconstructed "images" from the real world, using only paper, cardboard and other ordinary materials, which are then photographed, are commentaries not only on the veracity of the photographic image, but on the nature of reality itself. The lavish "Bullion" is therefore not only a continuation of the broad theme of his constructed works, but a concise and insightful representation of a contemporary global economy, where the gold standard not only has disappeared, but "gold" (and riches themselves) are but commodities subject to market whims. Signed by Author.

19 x 14 cm. 24 nn. Seiten / pages. Überwiegend ausklappbar. Hardcover. "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION" - WIR SIND BEKANNT FÜR SOLIDESTE VERPACKUNG" Die angegebenen Versandkosten gelten für Bücher bis 1000 Gramm. Bücher über 1000 Gramm kosten nach Deutschland EUR 4,50. DG Bank, 1998. First edition, first printing. Strongly limited to 800 copies only. Hardback without dustjacket (as issued). 190 x 140 mm. 24 pages. Black and white photos. Text in English and German.- DG Bank, 1998. Deutsche Erstausgabe. Originalausgabe. Streng limitiert auf nur 800 Exemplare. Signiert von Thomas Demand. Thomas Demand konstruiert seine Bilder aus Pappe im Atelier, um davon dann Fotos oder Filme herzustellen. Der Tunnel in diesem Buch ist dem Tunnel nachgebaut, in dem Diana, Prinzession von Wales, verunglückt ist. Fine copy. Sehr gutes Exemplar. Sprache: de, en. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

No Binding. Condition: New. 1st Edition. SPECIAL ORDER (delivery in 2-3 weeks): PRICING & AVAILABILITY SUBJECT TO CHANGE. SHIPPING NOTE: due to size, weight and special packing requirements, additional shipping fees apply (calculated at checkout). A framed original, pigment print, "Detail XII, 2012," signed, numbered and dated in black marker on recto by Demand. Framed by the gallery. Printed on on Canson Baryta Photographique Paper (paper size 61 x 51 cm; image size 52.7 x 47.0 cm; frame size 61.9 x 51.9 x 2.5 cm). This work is from a numbered edition of 36 (this being #27/36) issued on the occasion of the major retrospective exhibition "Thomas Demand" at the Museum of Contemporary Art in Tokyo, 2012. Mounted to aluminum and framed in a custom-made acrylic enclosure made according to the specifications of the artist. [Auction Reference: Phillips de Pury & Company, "Saturday @ Phillips" (Sale Number NY000208, October 25, 2008): Price realized for Lot 50. $5000 (including buyer's premium).]. New (the print and frame are flawless). Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. Based on a model of the Fukushima Daiichi nuclear power plant, Demand's still life photograph belies the tragic failure and panicked efforts to avert disaster at the plant after the 2011 Japan tsunami. Signed by Author. Signed by Author(s).