Velasquez, Signed (15 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near fine book and jacket. Inscribed by Author(s).

Hardcover. 32p. profuely illus. children's book, 7.5x9.5 inches, signed by Winner, second edition, very good in dj.

Hardcover. Condition: Fair. No Jacket. Limited Edition. Hbk, 20] p., [1] leaf of plates : ill. ; 28 cm. Quarter vellum binding. The covers are marked, dulled and corners worn.Fair to poor condition. Previous owner's name on front paste-down. However the text and ill. in good condition. Signed and numbered. This is copy no. 116. [Vela?zquez, Diego 1599-1660]. h2001 / m15902. Signed by Illustrator(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Hardcover in fine condition with fine dust jacket. Large inscription by author on front end page. Inscribed by Author(s).

Art 1st. ed. ltd. to 422 numbered copies. Signed by Young. v.g.-fine. slight soiling covers-vellum boards. Please email for info concerning any book or dust jacket. If d.j. does not appear in description, it means there is no dust jacket. Photos on request. Some books may have remainder marks. Heavy and/or oversized books require additional postage.

Condition: As New. PFAS31? A rare in person autographed photo postcard of pop singer?Jaci Velasquez?who has hand signed the photo where her signature rests perfectly below her portrait in mint condition and undedicated too. You wont source better.

Hardcover. Condition: Fine. Limited Edition. Folio, tissue guarded engraved fp, not paginated. Original quarter vellum, pale blue paper covered boards, gilt, paper label on upper cover. Ink name and Xmas 06 on ffep, slight stains on upper cover o/w Fine tight and clean copy signed by Filson Young and Elisina Grant Richards. Signed by Author(s).

Broché, couverture illustrée. In-8°, 104p. Exemplaire enrichi d'un envoi autographe signé de l'auteur en page de garde.

Couverture rigide. Condition: Bon état. "Les Demi-dieux". In-4 demi-maroquin ŕ coins, dos ŕ nerfs, filets bruns et dorés, couvertures et dos conservés, tęte dorée, étui bordé signée Creuzevault, 19 pp & 124 reproductions en noir. Trčs bel exemplaire. Edition originale. in-4°.

Portraits of artists, 8 x 6", gilt-lettered limp suede, 165pp, covers a bit worn (esp. yapped edges), some spotting to spine, spine label missing, hinges loose, page edges browning else a nice copy. LIMITED TO 940 NUMBERED COPIES, SIGNED BY THE ILLUMINATOR JENNIE RICHARDS, WHO HAS HAND COLORED THE TITLE PAGE AND ABOUT 39 INITIALS IN TEXT.

Postkarte. Condition: Gut. Panini-Sticker von der WM Espana 1982 auf Blanko-Postkarte montiert, von Jose Velasquez bildseitig mit schwazem Edding signiert /// Autogramm Autograph signiert signed signee /// José Manuel Velásquez Castillo (* 4. Juni 1952 in Lima) ist ein ehemaliger peruanischer Fußballspieler. Der Mittelfeldspieler wurde 1975 Südamerikameister und bestritt 82 Länderspiele für Peru. Auf Vereinsebene wurde er dreimal nationaler Meister. José Velásquez, auch El Patrón genannt, begann seine Fußballkarriere in San Luis de Cańete, wo er aufwuchs. Mit elf Jahren zog er mit seiner Familie nach Lima und spielte Schulturniere an der Schule Melitón Carbajal. Dort wurde er von Rafael Castillo, einem Jugendtrainer von Alianza Lima, entdeckt und mit 14 Jahren zum Training eingeladen. González wurde in der Jugend von Alianza Lima zum Innenverteidiger ausgebildet, wechselte später ins Mittelfeld und erzielte 51 Tore für den Klub. Seine Profikarriere begann 1971 mit 18 Jahren. Er wurde 1975 peruanischer Meister und holte 1977 sowie 1978 das Double. 1979 wechselte er zu Independiente Medellín in Kolumbien und spielte in der Saison 1980/1981 für Toronto Blizzard in Kanada, wo er auch an der NASL-Hallenliga teilnahm. 1982 kehrte er zu Alianza Lima zurück. 1984 wechselte er zum spanischen Erstligisten Hércules, spielte jedoch wegen der Begrenzung auf zwei ausländische Spieler in den ersten sechs Monaten des Jahres 1985 nicht. Am 10. August spielte er ein Freundschaftsspiel für Club Nacional gegen Peńarol Montevideo.[1] Nach einer Verletzung in der ersten Hälfte des Jahres 1986 erholte er sich beim chilenischen Verein Deportes Iquique, wo er im folgenden Jahr acht Tore erzielte. 1987 kehrte er erneut zu Alianza zurück. Dieses Mal um den Verein nach der Tragödie, bei dem das Flugzeug mit der Mannschaft in den Pazifischen Ozean abstürzte und nur der Pilot überlebte,[2] zu unterstützen. Velásquez lief für den Verein bis Saisonende auf und beendete dann seine Karriere. Nationalmannschaft Südamerikameisterschaften Kurz nach seinem Länderspieldebüt wurde Velásquez in den Kader für die Copa América 1975 berufen. Er bestritt das erste Gruppenspiel gegen Chile, das 1:1-Unentschieden endete. Danach kam er im weiteren Turnierverlauf nicht mehr zum Einsatz. Peru gewann die Gruppe und setzte sich auch im Halbfinale per Losentscheid gegen Brasilien durch. Im Finale wurde Peru dann durch einen Sieg im Entscheidungsspiel zum zweiten Mal Südamerikameister.[3] Bei der Copa América 1979 startete Peru als Südamerikameister direkt im Halbfinale gegen Chile, schied jedoch nach Hin- und Rückspiel mit 1:2 aus. Velásquez bestritt beide Partien. Bei der Copa América 1983 konnte sich Peru wieder mit dem Gruppensieg für das Halbfinale qualifizieren, scheiterte diesmal jedoch am uruguayischen Team. Velásquez kam in allen sechs Spielen zum Einsatz. Weltmeisterschaft José Velásquez war einer der Hauptverantwortlichen mit drei Toren für die Qualifikation Perus zur Fußball-Weltmeisterschaft 1978.[4] Beim Turnier in Argentinien half er seiner Mannschaft, das Viertelfinale zu erreichen, wobei er ein Kopfballtor gegen Iran erzielte. Später ließ die Leistung der peruanischen Mannschaft nach, und im letzten Spiel spielte Velásquez nur 15 Minuten in der umstrittenen Niederlage Perus gegen Gastgeber Argentinien, was von der Presse seines Landes stark kritisiert wurde. Er zeigte erneut starke Leistungen in der Qualifikation für die Weltmeisterschaft in Spanien, wo Peru Peru und Kolumbien ausschaltete, und nahm an der Fußball-Weltmeisterschaft 1982 teil, schied jedoch nach zwei Unentschieden und einer Niederlage in der Gruppenphase aus. /// Standort Wimregal GAD-10.248 Sprache: Spanisch Gewicht in Gramm: 10.

IP signed photograph, shows Patricia Velásquez in a beautiful head and shoulders portrait, 8 x 10 inch, signed and dated in blue felt tip "Thanks - Patricia V. - 98", obtained In-Person, in very fine condition.

Oswald Birley's painting-saturated diary written in the winter months of his year abroad in the Mediterranean which records his obsession with Velasquez who would go on to inspire the artist's enormously successful practice, as well as offering an eye witness account of the Friday ceremonial of the penultimate Ottoman Sultan. PHYSICAL DESCRIPTION: Small quarto manuscript book bound in half roan over marbled boards - rubbed but sound. All edges marbled; marbled endpapers. At one end of the MS is written 'Diary 1905 Jan 10-' followed by 19 pages of diary entries, January 10th-Jan 25th. At the other end is written 'Oswald Birley 1905' on the second flyleaf and as-if inadvertently Birley picks up in media res on January 26th - at least one page stub precedes this section. Birley continues the narrative over 38 pages, ending with increasingly sketchy entries up to February 28th when he had succumbed to his Velasquez obsession in Madrid - and lost interest in his diary. We can find no record of any institutional holdings of Birley's diaries. A small collection of archival material is held at the Frick Museum. NARRATIVE: Birley's journey began in London, travelling on board the Princess Alice to Genoa, arriving Jan 18th, 1905, after being held at sea overnight during a storm, waking to find 'the Italian Riviera all covered with white'. Birley toured Genoa's palazzi but 'the best pictures are in the Palazzo Pallavicini: the best represented Van Dyk, Rubens, and Andrea del Sarto: there is also a very fine Paul Veronese in the Andrea Doria Palazzo', continuing via Naples and Pompei, thence to Rome by train, visiting the Villa Borghese where 'the great thing of course being Titian's Sacred and Profane Love' and called on 'Sir E[dwin] Egerton our Ambassador'. In Rome Birley made a special visit 'to see the Velasquez portrait of Pope Innocent X in the Palazzo Doria - it's in a room by itself and is a marvellous arrangement of colour in different tones of red in the background, cap, chair and clothes with only his grey collar a warm white skirt to set if off & the head is beautifully modelled' (Jan 24). On the way to Greece Birley visited the Empress of Austria's villa on Corfu and in Athens 'the Acropolis. so wonderful: everything of Pentelion marble but which has become almost golden with age, colour must be far finer now than it was when it was quite white'. Birley returned to the Acropolis two days later 'and sketched another bas-relief', making one more visit to photograph the scene. Continuing to Istanbul (staying at the Pera Palace hotel) Birley found himself slightly overwhelmed by a performance of the 'howling dervishes' but having gained permission from the British envoy was fascinated by viewing 'the Sultan's procession which he makes every Friday to his mosque there. There is a sort of terrace reserved for foreigners and one has an excellent view of everything. all the generals, dignitaries in their war paint on the road. Everything very well stage managed. The Sultan appeared about 12.30 and went down to the mosque. He looks more than 62 - and has a most evil looking face - pale unhealthy face - a long beaky nose and he has dyed his beard a reddish colour.' Birley's European apotheosis came when he arrived in Madrid (Feb 23, 1905) instantly visiting the Prado where 'the Velasquez are quite marvellous: much finer than anything I had ever imagined. There are about 35 collected in one large Room with the Surrender of Breda at the end and by itself. In a small room leading out of it Las Meninas which is simply marvellous. Absolutely alive. Had no difficulty in getting permission to copy and settled on one of the dwarfs', an experience Birley repeats until the diary ends: 'Working all day in the Prado'. Spent all day drawing in the Velasquez Copy. Working all day in the Prado. El Prado with the Henrys' - Birley had arrived where he needed to be and here the diary ends. Born in 1880 and educated at Harrow and Trinity College, Cambridge, this diary dates from the year after he had begun studying at the Academie Julian in Paris and St John's Wood School of Art. His career-defining debut solo exhibition in London had to wait until 1919 and his reputation made he would go on to paint Mahatma Gandhi, Dwight Eisenhower and Winston Churchill in an oeuvre that combines 'aesthetic and psychological realism' (Philip Mould). Birley kept the copies of Velasquez that he made while in Madrid and they can be seen in photographs from the 1920s of his studio in St John's Wood. Thanks to Philip Mould's Power & Beauty: the Art of Oswald Birley, Please contact Christian White Rare Books Ltd for more information or images of this item.

Plattengrösse: 30x24,5 cm - Blattgrösse: 53,5x38 cm. Unten rechts hs. signiert und datiert, links bezeichnet. Mit Wasserrand ausserhalb des Bildes an der rechten oberen Ecke.

Condition: Good. Herman BRAUN-VEGA (illustrator). First Edition. Herman BRAUN-VEGA | Chez Velasquez | Year: 1985 | Medium: lithograph - lithographie | Dimensions: 54 × 76 cm | Support: Arches paper - papier Arches | Signature: signed and numbered in pencil - signé(e) et numéroté(e) au crayon | Edition: 300 copies | Condition: in mint condition - en trčs bon état Print on Demand.