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Visualizing Medieval Performance: Perspectives, Histories, Contexts
Language: English
Published by Routledge 2008-10-22, 2008
ISBN 10: 0754664368 ISBN 13: 9780754664369
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Visualizing Medieval Performance : Perspectives, Histories, Contexts
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Visualizing Medieval Performance : Perspectives, Histories, Contexts
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Visualizing Medieval Performance: Perspectives, Histories, Contexts
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Visualizing Medieval Performance: Perspectives, Histories, Contexts
Language: English
Published by Taylor & Francis Ltd, 2008
ISBN 10: 0754664368 ISBN 13: 9780754664369
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Add to basketHardcover. Condition: Brand New. 320 pages. 9.49x6.50x1.06 inches. In Stock.
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Visualizing Medieval Performance: Perspectives, Histories, Contexts
Language: English
Published by Taylor & Francis Ltd, 2008
ISBN 10: 0754664368 ISBN 13: 9780754664369
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
US$ 250.46
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Add to basketHardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Buch. Condition: Neu. Visualizing Medieval Performance | Perspectives, Histories, Contexts | Elina Gertsman | Buch | Einband - fest (Hardcover) | Englisch | 2008 | Routledge | EAN 9780754664369 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.
