Wagner Beyond Good Evil (36 results)

Mass-market paperback. Condition: Fair. Reprint. PENGUIN, 1986. Reprint. . Fair. 696 p.

Hardcover. Condition: New. 1st Edition. 2008. University of California Press. 8vo. Hardcover. First edition. Fine in fine DJ. New.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. 1st edition hardcover with dust jacket. Top edge stamped "evaluation copy".

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Binding sound, text unmarked. Condition: Good+. Dust Jacket Condition: Good+. Some edgewear to dustwrapper. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. No ownership marks. Size: xiii,302pp. No ownership marks. …

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Octavo, xiv+302pp, original cloth boards in dustwrapper, a near fine copy. First edition.

Hardback. Condition: New. John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches.At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.…

Super octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

Condition: new.

Condition: New. Presents a different view of Richard Wagner based on research that does not shy away from some truths about this controversial composer. This book tells what Wagner did, said, and wrote. It suggests that an estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Num Pages: 324 pages, 1 b/w photograph, 1 table, 31 music examples. BIC Classification: AVGC9; AVH; BGF. Category: (UU) Undergraduate. Dimension: 236 x 162 x 31. Weight in Grams: 576. . 2008. First. Hardcover. . . . .…

8vo, 302 pp. A very good hardback copy in like dust jacket.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardback. Condition: New. John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches.At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.…

Condition: New.

Condition: New. pp. xiii + 302.

Condition: As New. Unread book in perfect condition.

Condition: New. Presents a different view of Richard Wagner based on research that does not shy away from some truths about this controversial composer. This book tells what Wagner did, said, and wrote. It suggests that an estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Num Pages: 324 pages, 1 b/w photograph, 1 table, 31 music examples. BIC Classification: AVGC9; AVH; BGF. Category: (UU) Undergraduate. Dimension: 236 x 162 x 31. Weight in Grams: 576. . 2008. First. Hardcover. . . . . Books ship from the US and Ireland.…

Condition: New. In English.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. xiii + 302.

Second printing. XIII, (1), 302, (1) pp. Publisher's cloth, dust jacket. Spine ends slightly bumped, dust jacket with minor shelf wear. Condition VG+.

Hardcover. Condition: Brand New. 1st edition. 283 pages. 9.50x6.25x1.00 inches. In Stock.

Hardback. Condition: New. John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches.At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a "classic" in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.…

Condition: New. Presents a different view of Richard Wagner based on research that does not shy away from some truths about this controversial composer. This book tells what Wagner did, said, and wrote. It suggests that an estimation of Wagner does not lie in an all too ea.

paperback. Condition: New. Language:Chinese.Paperback. Pub Date: 2024-11 Publisher: People's Music Publishing House.

Buch. Condition: Neu. Neuware - John Deathridge presents a different and critical view of Richard Wagner based on recent research that does not shy away from some unpalatable truths about this most controversial of composers in the canon of Western music. Deathridge writes authoritatively on what Wagner did, said, and wrote, drawing from abundant material already well known but also from less familiar sources, including hitherto seldom discussed letters and diaries and previously unpublished musical sketches. At the same time, Deathridge suggests that a true estimation of Wagner does not lie in an all too easy condemnation of his many provocative actions and ideas. Rather, it is to be found in the questions about the modern world and our place in it posed by the best of his stage works, among them Tristan und Isolde and Der Ring des Nibelungen. Controversy about Wagner is unlikely to go away, but rather than taking the line of least resistance by regarding him blandly as a 'classic' in the Western art tradition, Deathridge suggests that we need to confront the debates that have raged about him and reach beyond them, toward a fresh and engaging assessment of what he ultimately achieved.…