Wait Later Will Nothing (21 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. Dieter Roth's wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works - books, prints and multiples - that he made his most important and radical contributions. These experiments include literature sausages filled with ground-up books, newspapers or magazines in place of meat, the use of organic materials like pudding or fruit juice in lieu of printing inks, multiples of plastic toys mired in chocolate, and a dazzling array of variations on printed postcards. Taken together, these works offer an utterly radicalized view of mediums that are historically considered staid and traditional, while giving insight into one of the artistic titans of the twentieth century. Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific and innovative period between 1960 and 1972, this volume highlights examples of Roth's most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of Snow (1963-1969), a complex book-sculpture, as a touchstone from which to further investigate Roth's use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies of Roth works that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials. Dieter Roths wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works books, prints and multiples that he made his important and radical contributions. This volume offers examples of Roths innovative books and graphics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: VG. Olive green wraps with illustration and metallic lettering. 96 pp. Color illustrations. Catalogue of an exhibition from February 13 to June 24, 2013 at the Musuem of Modern Art, New York.

Soft cover. Condition: New. No Jacket. Wrappers. New book.

Paperback. Condition: Brand New. 96 pages. 9.84x7.48x0.47 inches. In Stock.

Paperback. Condition: New. Special order direct from the distributor.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

paperback. Condition: Sehr gut. Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren - Dieter Roth's wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works - books, prints and multiples - that he made his most important and radical contributions. These experiments include literature sausages filled with ground-up books, newspapers or magazines in place of meat, the use of organic materials like pudding or fruit juice in lieu of printing inks, multiples of plastic toys mired in chocolate, and a dazzling array of variations on printed postcards. Taken together, these works offer an utterly radicalized view of mediums that are historically considered staid and traditional, while giving insight into one of the artistic titans of the twentieth century. Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific and innovative period between 1960 and 1972, this volume highlights examples of Roth's most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of Snow (1963-1969), a complex book-sculpture, as a touchstone from which to further investigate Roth's use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies of Roth works that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials. …

Condition: New. Dieter Roths wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works books, prints and multiples that he made his important and radical contributions. This volum.

Paperback. Condition: new. Paperback. Dieter Roth's wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works - books, prints and multiples - that he made his most important and radical contributions. These experiments include literature sausages filled with ground-up books, newspapers or magazines in place of meat, the use of organic materials like pudding or fruit juice in lieu of printing inks, multiples of plastic toys mired in chocolate, and a dazzling array of variations on printed postcards. Taken together, these works offer an utterly radicalized view of mediums that are historically considered staid and traditional, while giving insight into one of the artistic titans of the twentieth century. Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific and innovative period between 1960 and 1972, this volume highlights examples of Roth's most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of Snow (1963-1969), a complex book-sculpture, as a touchstone from which to further investigate Roth's use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies of Roth works that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials. Dieter Roths wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works books, prints and multiples that he made his important and radical contributions. This volume offers examples of Roths innovative books and graphics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

paperback. Condition: Neu. Neu Neuware auf Lager, Sofortversand - Dieter Roth's wildly inventive artistic practice encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works - books, prints and multiples - that he made his most important and radical contributions. These experiments include literature sausages filled with ground-up books, newspapers or magazines in place of meat, the use of organic materials like pudding or fruit juice in lieu of printing inks, multiples of plastic toys mired in chocolate, and a dazzling array of variations on printed postcards. Taken together, these works offer an utterly radicalized view of mediums that are historically considered staid and traditional, while giving insight into one of the artistic titans of the twentieth century. Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific and innovative period between 1960 and 1972, this volume highlights examples of Roth's most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of Snow (1963-1969), a complex book-sculpture, as a touchstone from which to further investigate Roth's use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies of Roth works that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.…

Paperback. Condition: New.