Woodwork, Signed (14 results)

Hardcover. Condition: Fair. No Jacket. 2nd Edition. Pages are clean and unmarked. Cover corners and edges are worn. The spine has been taped. Binding is tight. See photos. X-Library. Signed by Author(s).

Soft Cover. Condition: Very Good. W4 - A comic book SIGNED by Charlie Huston on the front in very good condition that has some light shelf wear. Moon Knight No. 7 (Midnight Sun: Chapter One - The Woodwork). Penciller David Finch, Inker Danny Miki, Colorist Frank D'Armata. 10.25"x6.75". Satisfaction Guaranteed. Size: 4to - over 9¾" - 12" tall. Signed by Author.

Condition: Good. 1946. Reprinted. 223 pages. Signed by the author. Pictorial dust jacket over grey cloth with decorations. Black and white illustrations throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking.

Condition: Near Fine. REL-MAR McConnell Media Company, 2013. 1st Edition . Near Fine. 8vo - over 7¾ - 9¾" tall. 29 Livery Lane, a century house, once a house of some distinction and class now, fallen into disrepair, is purchased by Sean Kennedy. Sean, a contractor in Toronto, buys old houses, guts them and turns them into multi- family monstrosities. slums waiting to happen. When he starts work on his latest project, 29 Livery Lane, he encounters visions of former owners. At first, he is stunned by these apparitions, but as time moves on he welcomes them. Through these visions he learns about the house and some of the nine former owners. As a result of what he learns he decides to restore the old house not destroy it for profit. The apparitions come to him when he touches books, reads letters, rummages through old boxes, finds a locket or reads a manuscript of a murder mystery. Through his many visions Sean gradually learns about the house, the way it looked in grander days and the fate of nine former owners, who left their indelible marks upon the house. The Phillips family, the original owners, left a story of love, closeness of family and a sea voyage, also the story of Stanley Renton, best-selling author, arrested for a murder which took place in the old house. The story of the Kennedys, the present owners, is also one of love and family closeness and the deadly days of the terrorist's attacks on the Trade Centre Towers in New York, September 11, 2001. Sean, through his research, meets Stanley Renton the only living, former owner. Sean and his family become very close friends with Stanley, during the restoration period. When an apparition of a young mother and her daughter appears to Sean he figures that the daughter, Angelina Weston, could still be living and she might be able to shed some light upon the house and the way it looked. His meeting with Angelina turns into a warm friendship with this woman, now in her late eighties. The friendship blossoms and grows to include Stanley Renton as well. The tales of the former owners lead Sean down many paths over a one-hundred-year period. from a trip on the St. Lawrence River in a small boat in the early 1900s to the recapture of a violent murderer in Niagara-on-the Lake, in 2001. The closing chapter of the book connects the Kennedy's, the new owners, to the Phillips, the first owners. Stephen Phillips sends his wife and two children to Ireland to visit her mother and books their return on a cruise ship, April 10, 1912. Sean Kennedy also books a holiday for his wife and two children to visit her mother and father in England and then meet him in Boston, on September 10, 2001. Where they plan to continue on to Los Angeles and Disney Land the next day, September 11, 2001. 252 pp.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First. Nice tidy copy of this book which is signed on title page by Bob Lynn. Dedication to previous owner on front e/p. Contents otherwise clean and tight. 120pp with illustrations. Dust jacket has slight bumping along top edge else very good. Signed by Author.

SIGNED & DATED, quarto, black heavy boards, gilt lettering to spine, illus title page, 120pp, illus, VG+ (light bruising to extrems, sl tanning to page edges) in d/w, VG+ (in plastic protective cover- easily removed if desired, light fading to spine, light creasing to edges, sl soiling).

plastic comb bound. Condition: Very Good. No Jacket. Limited Edition. Author signed on the title page. A limited number of copies have been produced, this being number 128 of one hundred fifty. Black lettering on tan stiff paper covers showing Mr. Eshelman at work on a wood lathe. 4to, 63pp. Enclosed with the book is a typed letter that the author sent with this book to a person whose name & blind stamp are on the book's first free end paper. A newspaper clipping about the author & this book is also included. There is a 1/2" closed tear at the top edge of the front cover and a similar tear at the top edge of the back cover. Contents fine. Signed by Author(s).

Soft cover. Condition: Very Good. 5th printing 1996. Previous owner's name to half-title page. Signed with dedication by the author to the title page. Slight rubbing to edges and bumping to covers otherwise in very good condition. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries. Signed by Author(s).

Hard Cover. Condition: Good. No Jacket. First American Edition. Good condition. Shadowing on the FEP and BEP. Some edge wear. Size: 8vo - over 7¾" - 9¾" tall. Signed.

Hardcover. Condition: Very Good. No Jacket. This is limited edition number 27 of 100 copies bound in full leather with raised bands to the spine. Signed by Obholzer and Malherbe on the title page. The boards are a touch rubbed, but otherwise strong and sturdy. Internally, there are no other markings or inscriptions, and the pages throughout are neat, crisp and complete. Securely bound and handsome. JK. Our orders are shipped using tracked courier delivery services. Signed.

Hardcover. Condition: Near Fine. 1st Edition. Size 255mmx260mm. This outstanding book is a landmark study of the present and past of the unique characters that have made the unique community of Bungendore. Has the previous owner's name written inside the front cover and front cover has a small indentation at the bottom. Signed by Author(s).

Softcover (Saddle-stapled). Condition: Good. Inscribed by Author. Age wear and creasing to card covers. Inscribed by author to his sister on first page. 50 pages. No torn or missing pages. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Woodworking; Canada; Inscribed by Author. Pictures of this item not already displayed here available upon request. Inventory No: 56475.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Reprint. Publishing Info: Reprint. Inscribed and signed by author. Personalised inscription and signature to ffep. Undated. Description: Illustrated DJ over red cloth. Illustrated throughout. Language: English. Book Condition> Good: Very minor wear. Inscription to ffep. Lightly tanned pages and text block edges. DJ Condition> Good: Light wear and creasing to upper and lower edges. Unclipped. 127pp. Size: 12mo (large), 22cm by 17cm. PLEASE ASK for additional photographs if required. Inscribed and signed by author.

Jacob Ernst Marcus (illustrator). 'J. E. MARCUS F. JULY 1812'Two peasant boys in a rural setting: one bent over a frame saw cutting firewood on a bucket, the other standing contemplatively with a hand at his mouth, against a backdrop of barns and thatched structures.Made by Jacob Ernst Marcus after own design.Medium: Etching on wove (vellin) paper.Sheet size: 32 x 24 cm (12.6 x 9.45 inch). Image size: 19.5 x 12.5 cm. (7.68 x 4.92 inch).MARCUS, GENRE SCENE, RURAL CHILDREN, WOODCUTTING, DUTCH PRINT, FARM LIFE, 19TH CENTURY, BOY WITH SAW | DOOS-MARCUSBACKGROUND INFORMATIONPublished as part of the series "Studiebeelden en Fragmenten" (Study Images and Fragments), a series of 105 etchings, various sizes, signed and dated in the plate between December 1807 and June 1816, published by S. de Grebber in Amsterdam. Later republished as: Studie-prentwerk / Etudes gravees (Study printwork).Biography engraver: Jacob Ernst Marcus (1774-1826) was a Dutch painter, etcher, engraver, and lithographer. Born on Sint Eustatius and later active in Amsterdam, he studied under Reinier Vinkeles and was awarded for his graphic work. He became director of engraving at the Royal Academy of Fine Arts. Condition: good, given age. Light foxing, creasing in corners, and torn lower right edge with minor paper loss. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.