RARE PAPER INC

44 pages; 20.3 × 14.5 cm. Softcover. ISBN: 3791220306. First edition. Publisher's black typographic wrappers. In very good condition. A politically provocative essay by Vladimir Soloukhin (1924-1997), Soviet-era poet and essayist known for his nationalist-conservative turn in the 1970s-1980s. [Reading Lenin] is a compact but pointed piece of ideological commentary, in which Soloukhin critically engages with the writings of Vladimir Lenin, dissecting the ideological roots of Bolshevik terror and the Soviet system.

47 pages; 21 cm. Softcover. Printed wrappers in salmon paper. Stapled binding. Some edge toning and minor water staining along the fore-edge and the first and last few leaves. A mid-century example of the New York Public Library's bibliographic outreach and public service programming for children's literature. Highlights the library's role in shaping literary taste and providing guidance to parents, educators, and young readers through curated annual book lists. Annual annotated catalog of children's books exhibited in the Central Children's Room of the New York Public Library, featuring selections recommended as holiday gifts. Titles are organized by genre and publication date, with bibliographic data, publisher, price, and evaluative commentary. Includes a final "Author and Title Check List." Held in November and December 1957 at the Central Children's Room, NYPL. The exhibition continued a forty-seven-year tradition of presenting both new releases and enduring children's classics in their best available editions.

Illustrated wrappers. 32 x 23 cm. 16 pages: illustrations. Text in Russian. A folded copy with the wrappers becoming detached and showing signs of damage. A weekly theatrical magazine that predominantly focuses on the activities of theaters in both the capital and provincial regions. Distinguished individuals such as A. Bely, M. Voloshin, and A. Tolstoy have contributed to the magazine. Notably, this issue is distinguished by the appointment of a new editor. It delves into the transformations within the theatrical sphere brought about by the October Revolution and also includes incisive critiques of the former tsarist regime, among other topics.

First Edition. Octavo, viii, [4], 304 pages: photographs. First Edition. Publisher's original cloth in illustrated dust jacket. A very good copy. A controversial contribution to Holocaust documentation examines the relationship between Nazi authorities and Ukrainian nationalist elements during the destruction of Jewish communities in Eastern Galicia, with particular focus on Trembowla (present-day Terebovlia, Ukraine). Edited by B.F. Sabrin, the volume combines historical analysis with extensive first-hand survivor testimonies, creating a layered and documentary account of collaboration, persecution, and survival.

39 pages.16 cm. Cover design by Andrzej Krauze. First Russian edition printed in West Germany. This anonymously authored samizdat-style manifesto was first published in Russian in London during the Gorbachev era. Written shortly after the Chernobyl disaster, the work reflects the disillusionment of Soviet intellectuals with the regime's opacity, ideological rigidity, and moral decline. The preface by British Sovietologist Martin Dewhirst (University of Glasgow) underscores the urgency of wide public dissemination, especially in the wake of the Soviet government's failure to reform.

Featuring the innovative works of David Huffman, this catalog accompanies his exhibition at the Miles McEnery Gallery. It includes an opening reception invitation and explores Huffman's fusion of abstract and figurative elements, reflecting on themes of identity and cultural history.

Published by Miles McEnery Gallery, this catalog highlights the evocative and nostalgic works of Isca Greenfield-Sanders. Her paintings often explore themes of memory and longing, capturing fleeting moments with a delicate and expressive touch. The catalog includes high-quality reproductions of her paintings, along with an invitation to the opening reception, providing a comprehensive look at her artistic practice.

Published by Miles McEnery Gallery, this catalog showcases the vibrant and dynamic works of Jason Middlebrook. Known for his colorful and intricate abstract paintings, Middlebrook's work often draws inspiration from natural forms and geometric patterns. The catalog includes high-quality reproductions of his artworks and an invitation to the opening reception, providing a comprehensive overview of his artistic practice.

This catalog features the visually stunning and meticulously detailed works of David Allan Peters. Known for his vibrant and layered abstract paintings, Peters' work is characterized by its dynamic use of color and texture. Published by Miles McEnery Gallery, the catalog includes high-quality reproductions of Peters' paintings, along with an invitation to the opening reception, offering insight into his creative process and artistic vision.

Featuring the vivid and surreal artworks of Alexander Ross, this catalog from the Miles McEnery Gallery presents a selection of his most intriguing pieces. The book is filled with high-quality images and insightful essays about Ross's work.

An illustrated monograph devoted to Ilya Yefimovich Repin, one of the foremost figures of Russian Realism and a leading member of the Peredvizhniki movement. The text offers a concise survey of Repin's life and artistic development, accompanied by 12 unnumbered leaves of plates reproducing his major works. Octavo (18 cm). 47 pages: plates; One of 3,000 copies. Series: Novoe v zhizni, nauke, tekhnike, issue 43. Front wrapper trimmed and detached from the text block; rear wrapper lacking; edges worn.

"Children of the Flood" by Sakari Kannosto is a visually compelling art catalog featuring the sculptural works of the artist. Published by HB381, this catalog showcases Kannosto's intricate and evocative sculptures against a backdrop of weathered brick walls. The cover image and internal photography highlight the detailed texture and unique forms of Kannosto's creations. The catalog is bound in a softcover format with high-quality paper, offering a rich visual experience for art enthusiasts and collectors. This catalog captures the essence of Kannosto's thematic exploration of mythology and the human condition, making it a valuable addition to contemporary art collections.

"In the Black Fantastic" by Ekow Eshun is a richly illustrated exploration of Black culture through the lens of speculative and fantastical art. Published by MIT Press, this sealed hardcover edition features contributions from leading artists such as Kara Walker, Chris Ofili, and Ellen Gallagher. The catalog delves into themes of myth, folklore, spiritual traditions, and Afrofuturism, presenting groundbreaking works in photography, painting, sculpture, cinema, and more. With introductory texts and essays by Eshun, Kameelah L. Martin, and Michelle D. Commander, this publication reimagines perspectives on race, gender, and identity. Essential for collectors and enthusiasts of contemporary Black art and culture.

illustrated wrappers. Book measures: 30 x 23 cm. 16 pages: illustrations. Text in Russian. A heavily worn copy, featuring tears and chips, falling apart, and enveloped with the paper cover. A monthly magazine that combined literature, art, and socio-political content. It was published in Moscow from 1925 until 2000 and originated in a decision made at the VI Congress of Komsomol in 1924. Throughout the Soviet era, it fell under the supervision of the Central Committee of Komsomol. Originally titled the "Journal of Peasant Youth," it played a significant role in the cultural landscape of its time, with notable contributions from figures such as Sergei Yesenin. The magazine featured literary works by renowned Soviet writers like M. Sholokhov and V. Mayakovsky. Additionally, it covered topics related to the social and economic transformations in Soviet villages, addressing issues and challenges rural communities face. It also highlighted the efforts of young specialists working in the countryside and focused on cultural and educational initiatives among rural youth. Furthermore, it provided a platform for various interests, including cinema discussions by S. F. Bondarchuk, insights on soccer by Lev Yashin, and contributions from Yuri Gagarin on space exploration. In August 1935, the magazine underwent a transformation, becoming a fortnightly publication and adopting the new name "Young Collective Farmer." During the challenging years of WWII, the publication temporarily ceased.

Miles McEnery Gallery, New York, 2022. Hardcover. 56 pages. First edition. Features vibrant abstract paintings by Heather Gwen Martin. This catalog includes an invitation to the opening reception held on 9 June 2022. Published on the occasion of the exhibition "Verse" from 9 June - 25 July 2022. Printed in association with Miles McEnery Gallery.

Enrique Martínez Celaya's catalog showcases his rich and evocative works that explore themes of memory, existence, and human condition. The catalog, produced by Miles McEnery Gallery, features high-quality reproductions of his paintings, sculptures, and installations. Notably, this catalog includes an invitation to the opening reception, offering an additional layer of engagement for collectors and enthusiasts.

272 pp.; 15×11 cm. Publisher's full brown leatherette binding with gilt-stamped spine and cover titles. Printed on thin paper. Pocket-sized format. Volume 5 of the six-volume Sobranie sochinenii (Collected Works) of Aleksandr Solzhenitsyn, published by Posev between 1969 and 1973. This volume includes a selection of the author's plays, short stories, and critical essays. The collected set was produced in exile and includes supplementary materials such as critical essays, Nobel Prize documentation, bibliographies, and documents relating to the so-called "Solzhenitsyn affair." The set was edited and cross-checked by A. N. Artemova.

Original wrappers. Dimensions: 21 x 14.5 cm. 32 pages: portrait. Text in Russian. With the military censorship on the back, "Approved by U.N.N.R.A. Team 186." The previous owner's address is stamped on the title page. The book is in poor condition both externally and internally. This book was published by the Russian refugees and printed in a very small run to be distributed in post-war Germany's Displaced Persons (DP) camps. Due to difficult circumstances in those camps, including a lack of resources and military censorship, such publications are a testament to the resilience and determination of the displaced persons community during this challenging time in history.

Publisher's wrappers. The book measures 15 x 11.5 cm and comprises 16 pages. The text is in Ukrainian, with translation from Russian by Hr. Sadovs'ky. It is part of the "Teatral'na biblioteka" series, issue No. 28. This particular copy is in a worn and delicate condition, with evident signs of chipping along the edges. As of January 2024, OCLC records indicate that only two copies of the book have been located, one at Harvard University Library and another at the University of Saskatchewan Library.

51 pages; 15.5 × 11.8 cm. In original publisher's typographic wrappers. Minor edgewear. First edition of this significant open letter written by Nobel Prize laureate Aleksandr Isaevich Solzhenitsyn (1918-2008) on September 5, 1973, shortly before his forced exile from the USSR. In this polemical essay, Solzhenitsyn appeals to the Soviet leadership to abandon communist ideology and transition toward a Russian national state. As noted in the foreword, the letter had originally been sent privately six months earlier but was subsequently published due to the lack of any official response. Though not exceedingly rare - the print run appears to have been relatively substantial - the publication remains an important historical artifact of Soviet dissent and a key moment in Solzhenitsyn's political legacy.

30 pages. Text in Ukrainian. Translated by M. Starytskyi. No. 3 in a numbered series. Fair condition, with wrappers fully detached.

42 pages; 22 cm. Text in Russian. In original publisher's printed wrappers. Wrappers show light age toning and spotting. Internally clean and well-preserved. A fascinating selection from Nikolai Gogol's working notebooks-scrapbooks of linguistic oddities, domestic customs, local flora and fauna, and miscellaneous ethnographic observations. Compiled with encyclopedic zeal, these entries reflect Gogol's methodical, almost obsessive attention to cultural and linguistic detail, assembled not to record plot or character development but to build a writer's living lexicon of Russian life.

63 pages. 21 cm. Original printed wrappers. Very good, with light wear and foxing to wrappers. An uncommon governmental publication presenting the proceedings of the Russian Federation's Expert Council on Population Issues and Sustainable Development Strategy, convened under the auspices of the Federation Council's Committee on Social Policy. Edited by Professor V. Rastorguev, the volume gathers multidisciplinary perspectives on pressing socio-ecological concerns-ranging from national demographic strategy and ecological risk management to family structure, chemical safety, and the emerging narcotics crisis in post-Soviet Russia. The text reflects the early post-Soviet government's attempt to formulate a coherent framework for long-term sustainable development amid profound political and social upheaval. No copies recorded in WorldCat as of May 2025.

Illustrated wrappers. 16 x 11 cm. 22 pages: illustrations. Text in Russian. Old library stamps on several pages. A lightly soiled copy with some chipping and tearing. A monograph published in the aftermath of the Leningrad blockade, dedicated to the life and artistic legacy of Ivan Nikolaevich Pavlov (1872-1951), the esteemed Russian and Soviet engraver and painter.

Original publisher's wrappers. 74 pages. Text in Russian. Good condition.

Publisher's hardcover binding. First Edition. 629 pages. Text in Russian. Worn copy. A memoir by A. Solzhenitsyn called ??????? ??????? ? ????? (lit. A Calf Head-butting with an Oak,) which was initially published in Russian in 1975, had its first Parisian edition. The book delves into Solzhenitsyn's experiences surrounding the release of "One Day in the Life of Ivan Denisovich" and his relationship with editor-in-chief Aleksandr Tvardovsky. It also covers his unsuccessful attempts to publish his earlier works, "Cancer Ward" and "The First Circle," as well as the controversies that arose after he won the Nobel Prize for literature in 1970 and his subsequent expulsion from the Soviet Union.

80 pages; 19 cm. Original publisher's printed wrappers. A good copy with moderate toning and foxing to wrappers. Lower right corner creased with edgewear. Binding secure and interior clean. A provocative and meticulously argued pamphlet aimed at dismantling the Western myth of inherent Russian imperialism. Written by a well-traveled historian and émigré thinker, this edition blends geopolitical critique with historical narrative, offering an alternative view of Russia's expansion as geographically rational rather than ideologically imperial.

48 pages. 16 cm. Original printed wrappers with vignette illustration by V. Ostroushko. Literary editor A. Orel. Very good copy with light wear to wrappers; internally clean and sound. With an errata slip tipped in at the rear. Ownership inscription in pencil on p. 5 ("Gift: Peter Anderson, Minneapolis, MN, Oct. 1972"). A book of lyric poetry by émigré Ukrainian poet Ivan Hannych, published in North America during the early postwar years for the Ukrainian diaspora community.

32 pages: portrait. Text in Ukrainian. No. 21 in a numbered series. Contents: Baida; Zustrich; Nepokirnyi. Fair condition.

405 pages. Text in Russian. Cover design by Adam Rusak. Pages with folded corners and handwritten notes throughout. Compiled by émigré scholars V. Zheliagin and N. Ruty?, this historical anthology brings together scholarly articles examining key transformations in the Russian Empire from the mid-19th to the early 20th century. The volume focuses particularly on the reforms of Alexander II, the activities of the State Duma between 1906 and 1916, and the agrarian reforms associated with Pyotr Stolypin.