A trav�s del an�lisis de numerosas obras de arte, Arnheim trata de establecer qu� es lo que determina la organizaci�n general de la forma visual en pinturas, esculturas y obras arquitect�nicas. Frente a los artistas que han renunciado reglas pr�cticas, y los matem�ticos, que han intentado encontrar f�rmulas que determinen las relaciones espaciales ideales entre las formas, el autor pone de manifiesto c�mo la forma compositiva s�lo es perceptible cuando se apoya en s�mbolos visuales reconocibles que dotan de significado al arte. Versi�n definitiva de esta obra cl�sica de la Teor�a del Arte, en la que su autor plasma una madura reflexi�n en torno a las artes visuales y su recepci�n por parte del espectador.

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