Synopsis
This edition collects the entire four volume collection of The Metabaron in one book for the first time.
The Techno Empire’s cruel reign and boundless ambition have the universe in a chokehold, but one obstacle remains before them: The Metabaron.
The Metabaron once single-handedly brought the Techno-Techno Empire to its knees. In the chaos that followed, however, a new regime has taken hold, one that has seized control of the rare and vital fuel for intergalactic travel known as epiphyte. As the Metabaron launches a counter-offensive, the Empire will send its most feared soldiers to defend the power they have amassed, even to the doors of the Metabunker itself. To make matters even more dire, the Metabaron’s less than honorable son seeks to usurp the power of the father who abandoned him. Can the Metabaron withstand the many challenges before him and save the universe once more?
Born on the pages of Moebius and Jodorowsky’s legendary The Incal, the mighty Metabaron has been starring in his own spinoff stories since 1992. Now, The Metabaron returns as a collaboration between Jodorowsky and Jerry Frissen (Fires of Theseus, The Zombies That Ate the World), exhibiting the work of an all-star lineup of international artists: Valentin Secher, Niko Henrichon, and Pete Woods.
About the Author
Alejandro Jodorowsky Prullansky (Spanish: [xoðo'?ofski]; born 17 February 1929) is a Chilean and French avant-garde filmmaker. Best known for his films El Topo (1970), The Holy Mountain (1973) and Santa Sangre (1989), Jodorowsky has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation".[1]
Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry. Dropping out of college, he became involved in theater and in particular mime, working as a clown before founding his own theater troupe, the Teatro Mimico, in 1947. Moving to Paris in the early 1950s, Jodorowsky studied traditional mime under Étienne Decroux, and put his miming skills to use in the silent film Les têtes interverties (1957), directed with Saul Gilbert and Ruth Michelly. From 1960 onwards he divided his time between Mexico City and Paris, where he co-founded Panic Movement, a surrealist performance art collective that staged violent and shocking theatrical events. In 1966 he created his first comic strip, Anibal 5, and in 1967 he directed his first feature film, the surrealist Fando y Lis, which caused a huge scandal in Mexico, eventually being banned.
His next film, the acid western El Topo (1970), became a hit on the midnight movie circuit in the United States, considered the first-ever midnight cult film, and garnered high praise from John Lennon, who convinced former Beatles manager Allen Klein to provide Jodorowsky with $1 million to finance his next film. The result was The Holy Mountain (1973), a surrealist exploration of western esotericism. Disagreements with Klein, however, led to both The Holy Mountain and El Topo failing to gain widespread distribution, although both became classics on the underground film circuit.[1] After a cancelled attempt at filming Frank Herbert's 1965 science fiction novel Dune, Jodorowsky produced five more films: the family film Tusk (1980); the surrealist horror Santa Sangre (1989); the failed blockbuster The Rainbow Thief (1990); and the first two films in a planned five-film autobiographical series The Dance of Reality (2013) and Endless Poetry (2016).
Jodorowsky is also a comic book writer, most notably penning the science fiction series The Incal throughout the 1980s, which has been described as having a claim to be "the best comic book" ever written.[2] Other comic books he has written include The Technopriests and Metabarons. Jodorowsky has also extensively written and lectured about his own spiritual system, which he calls "psychomagic" and "psychoshamanism", which borrows from alchemy, the tarot, Zen Buddhism and shamanism.[3] His son Cristóbal has followed his teachings on psychoshamanism; this work is captured in the feature documentary Quantum Men, directed by Carlos Serrano Azcona.[4]
Jerry Frissen (born Thierry Frissen in Belgium) is an American comic book writer and toy & graphic designer. He is the Editor-in-Chief of the recently relaunched comics anthology magazine Metal Hurlant in France, as well as the author of several best-selling graphic novels, including the anthology comic book series Lucha Libre (Unfabulous Five, The Tikitis), The Fire of Theseus, Exo, Simak, and the new cycle of the internationally acclaimed series The Metabarons, co-written with Alejandro Jodorowsky and illustrated by Valentin Sécher, Niko Henrichon, and Pete Woods.
His book The Zombies That Ate The World, illustrated by Guillermo Del Toro collaborator Guy Davis, was recently adapted by RKSS of Turbo Kid for the silver screen as We Are Zombies.
At only 29, Valentin has already been published by Titan Comics (Khaal) and Humanoids (The Metabaron Book 1 & 3). A rising star in the European comics scene, he took up the challenge of following in the footsteps of Juan Gimenez, creating his own version of Jodorowsky's universes: cinematic landscapes and beautiful, realistic fight scenes.
Niko Henrichon is a Canadian comic artist most known for “Pride of Baghdad” (Vertigo) and “Noah” (Image), the former earning him an Eisner nomination for Best Penciller/Inker. He has also worked on “Fables”, “New X-Men”, “Sandman” and “Spiderman” in addition to his covers of “Fantasic Four” and “X-Men”.
Over the past two decades Pete Woods has drawn a little bit of everything, from Superman, Deadpool, and Wonder Woman to Terminator, Archie, and MAD Magazine. When he’s not drawing comics he and his family are exploring the country as full-time RVers.
He is a multi New York Times Bestseller, with work at publishers like Humanoids, Marvel, DC, Archie Comics, Dark Horse, Valiant, and Legendary Entertainment. He has been Harvey nominated.
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