Acts and Texts: Performance and Ritual in the Middle Ages and the Renaissance

Laurie Postlewate and Wim Husken

ISBN 10: 9042021918 / ISBN 13: 9789042021914

Published by Rodopi, Amsterdam/New York, 2007

About this Item

hardcover, illustrated boards., no flaws or wear. clean. no markings. no bumps. tight binding. an unused copy.; english text.; 361pp., introduction and 13 essays by various contributors on aspects of performance and ritual in the european middle ages and early renaissance.; number 8 in the so-called ludus series on theatre and drama of medieval and renaissance eras. Size: 8vo - over 7¾" - 9¾" tall.

Seller Inventory # 22994

Bibliographic Details

• Title: Acts and Texts: Performance and Ritual in the Middle Ages and the Renaissance
• Publisher: Rodopi, Amsterdam/New York
• Publication Date: 2007
• Language: English
• ISBN 10: 9042021918
• ISBN 13: 9789042021914
• Binding: Hardcover
• Edition: First Edition.
• Condition: Fine
• Dust Jacket Condition: No Jacket, as Issued
• Seller catalogs:
  • History, General

About this title

Synopsis

For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the “performed” life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.