Synopsis
pgs:320. 1995, bright clean copy, with dustjacket, no markings, Professional booksellers since 1981
Reviews
Long regarded as a divine gift, the alphabet has been seen not just as a collection of arbitrary signs but as the direct visual embodiment of meaning. Pythagoreans, Kabbalists, neo-Platonists, and medieval Catholic mystics regarded the alphabet as a code that explained the universe. Drucker (art history, Yale) examines these and other ideas about the origins and inherent meanings of the alphabet, relating them to their intellectual milieu. She also discusses developments in the forms of the letters. She notes, for example, how modern typefaces, first developed in the late 18th century, embody Enlightenment philosophy. Her well-written discussion is enriched with over 300 illustrations drawn from important texts and documents. A major study in the history of books and the history of ideas; recommended for academic and public libraries alike.
Joseph Rosenblum, Guilford Technical Community Coll., Jamestown, N.C.
Copyright 1995 Reed Business Information, Inc.
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