This is the eagerly-awaited follow-up to the bestselling and prize-winning "White Teeth", which established Zadie Smith as an outstanding new writer. Alex-Li Tandem sells autographs. A small blip in a huge worldwide network of desire, it is his business to hunt for names on paper, collect them, sell them, occasionally fake them, and all to give the people what they want: a little piece of Fame. "The Autograph Man" is a deeply funny, existential tour around the hollow things of modernity - celebrity, cinema, and the ugly triumph of symbol over experience. Pushing against the tide of his generation, Alex-Li is on his way to finding enlightenment, otherwise known as some part of himself that cannot be signed, celebrated or sold.

Review

When Alex-Li Tandem is 12 years old, his father takes him and his friends Adam and Rubinfine to a wrestling match at the Albert Hall in London. By the end of the evening, the pivotal events of Alex-Li's youth have occurred: he has met Joseph Klein, a boy whose fascination with autographs proves infectious; his friendships with Adam and Rubinfine are cemented; and his father has dropped dead. This is enough action for an entire book, and in fact things slow down dramatically after page 35 of Zadie Smith's sophomore novel The Autograph Man. When we meet Alex again, he is a grown man, an autograph dealer and devoted slacker, suffering the physical and spiritual after-effects of a three-day romance with a drug called "Superstar." While under its malign influence, Alex has managed to wreck his sports car, alienate his girlfriend Esther, and--possibly--forge the rare autograph of his idol, the 1950s movie star Kitty Alexander. Will his friends save him from the embarrassment of trying to sell this suspect autograph? Will they pull him together in time to perform Kaddish on the 15th anniversary of his father's death? Although not as enthralling or politically resonant as White Teeth, Smith's hallowed debut, The Autograph Man amply demonstrates her ability to juggle several main characters, several themes, and a host of plots and subplots, with the occasional purely comic episode thrown up in the air beside them like a chainsaw or a cheesecake. Readers will want to step away to a safe distance during the chaotic final scenes. --Regina Marler

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