The Automaton in English Renaissance Literature (Literary and Scientific Cultures of Early Modernity)

ISBN 10: 0754668657 / ISBN 13: 9780754668657

Published by Routledge, 2011

About this Item

Features essays exploring the automaton - from animated statue to anthropomorphized machine - in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the title places literary automata of the period within their larger aesthetic. Editor(s): Hyman, Dr Wendy Beth. Series Editor(s): Crane, Professor Mary Thomas; Turner, Professor Henry S. Series: Literary and Scientific Cultures of Early Modernity. Num Pages: 222 pages, Includes 5 b&w illustrations. BIC Classification: DSBD; PDX. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 14. Weight in Grams: 574. . 2011. 1st Edition. hardcover. . . . .

Seller Inventory # V9780754668657

Bibliographic Details

• Title: The Automaton in English Renaissance Literature (Literary and Scientific Cultures of Early Modernity)
• Publisher: Routledge
• Publication Date: 2011
• Language: English
• ISBN 10: 0754668657
• ISBN 13: 9780754668657
• Binding: Hardcover
• Edition: 1st Edition
• Condition: New

About this title

Synopsis

The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.

About the Author

Wendy Beth Hyman is an assistant professor of English at Oberlin College, USA.