The Butcher Boy

Telling the strange and sometimes hilarious tale of a deeply disturbed boy, a portrait of a dangerous mind profiles Francie, known in his repressive Irish town as the "Pig Boy," as his bright and love-starved psyche descends into madness

Francie Brady is a disaffected, working-class, Roman Catholic teenager living in Northern Ireland. His alcoholic father works in the local slaughterhouse and his mother, despite being a whir of household efficiency, is suicidal. The latest phase of the "troubles" in Ireland have not yet formally begun--it is the early '60s--but Francie is nonetheless caught in a cycle of pride, envy and poverty aggravated by the ancient conflict between Protestants and Catholics. The book opens with Francie remembering: "When I was a young lad twenty or thirty or forty years ago I lived in a small town where they were after me on account of what I done on Mrs Nugent." By its end, young Francie has dispatched Mrs Nugent and earned his eponymous nickname. The Nugents, a prosperous Protestant family, have it all, in Francie's eyes: their son Philip goes to private school and takes music lessons; their home is carpeted and the telly works. Francie begins by playing pranks on the family--swindling Philip out of his comic books, defecating in their house when they are away. But when he bludgeons Philip's brother in a fight, Francie loses his closest friend, who then befriends the Nugent family. Then the violence escalates. Deservedly, Butcher Boy won the 1992 Irish Times -Aer Lingus Award and was shortlisted for Britain's 1992 Booker Prize. McCabe's Francie speaks in a rich vernacular spirited by the brassy and endearing rhythms of perpetual delinquency; even in his gradual unhinging, Francie remains a winning raconteur. By looking so deeply into Francie's soul, McCabe ( Music on Clinton Street ) subtly sugggests a common source for political and personal violence--lack of love and hope. Major ad/promo; ABA appearance.
Copyright 1993 Reed Business Information, Inc.

The Irish McCabe's third novel--and American debut--is a journey into the heart of darkness: the mind of a desperately troubled kid one step away from madness and murder. Francie Brady is a schoolboy in a small town in Ireland. His father is a mean drunk and his mother a slovenly housekeeper, but Francie has a good buddy, Joe Purcell, and their Tom-and-Huck friendship is what sustains him. Then a seemingly trivial incident alters the landscape: Francie and Joe con the very proper Philip Nugent out of his prize collection of comic books, and Philip's mother calls the Bradys ``pigs.'' Henceforth, Francie will blame all his troubles on Mrs. Nugent; it doesn't help that the Nugent household is a cozy haven, maddeningly out of his reach. Matters get rapidly worse. His mother enters a mental hospital. Francie runs away to Dublin; he returns to find that his ma, whom he had promised never to let down, has drowned herself. He breaks into the Nugents' house, defecates on the carpet, is sent to reform school, and (the unkindest cut) loses Joe to Philip Nugent. Francie tells us all of this in a voice that is the novel's greatest triumph--a minimally punctuated but always intelligible flow of razor-sharp impressions, name-calling, self-loathing, pop-culture detritus culled from comic books and John Wayne movies (the time is 1962), all delivered with the assurance of a stand-up comic. Snaking through Francie's story is his longing for childhood innocence, now lost forever, and just an inkling of the gathering mental darkness that will make the gruesome climax inevitable. On a foundation laid by Salinger and Sillitoe, McCabe has created something all his own--an uncompromisingly bleak vision of a child who retains the pathos of a grubby urchin even as he evolves into a monster. His novel is a tour de force. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Readers of this novel will recall its hero, Francie Brady, whenever they hear the well-known eponymous Irish song. Both book and song are very sad. At the center of this tale is Francie, the "pig boy," who grew up in a poor small town in rural Ireland 30-odd years ago. A combination of factors, including an alcoholic father, a suicidal mother, and profound jealousy, make him an outcast. Eventually, he becomes totally unhinged. Though the subject does not recall the works of John McGahern, another Irish writer who sees the dark side of the Irish, McCabe treats us to lyrical prose. Like McGahern, he has a good ear for the rural Irish dialog. The characters talk their way into your memory. This work is recommended with reservations; it's a bit gruesome.
- Patricia C. Heaney, Nassau Community Coll. Lib., Garden City, N.Y.
Copyright 1993 Reed Business Information, Inc.