Cathedral, Forge, and Waterwheel: Technology and Invention in the Middle Ages [Nimrod's Tower, Noah's Ark -- The triumphs and failures of ancient technology -- The not so Dark Ages: A.D. 500-900 -- The Asian connection -- The technology of the commercial revolution: 900-1200 -- The High Middle Ages: 1200-1400 -- Leonardo and Columbus: the end of the Middle Ages]

In this account of Europe's rise to world leadership in technology, Frances and Joseph Gies make use of recent scholarship to destroy two time-honored myths. Myth One: that Europe's leap forward occurred suddenly in the "Renaissance," following centuries of medieval stagnation. Not so, say the Gieses: Early modern technology and experimental science were direct outgrowths of the decisive innovations of medieval Europe, in the tools and techniques of agriculture, craft industry, metallurgy, building construction, navigation, and war. Myth Two: that Europe achieved its primacy through "Western" superiority. On the contrary, the authors report, many of Europe's most important inventions - the horse harness, the stirrup, the magnetic compass, cotton and silk cultivation and manufacture, papermaking, firearms, "Arabic" numerals - had their origins outside Europe, in China, India, and Islam. The Gieses show how Europe synthesized its own innovations - the three-field system, water power in industry, the full-rigged ship, the putting-out system - into a powerful new combination of technology, economics, and politics.
From the expansion of medieval man's capabilities, the voyage of Columbus with all its fateful consequences is seen as an inevitable product, while even the genius of Leonardo da Vinci emerges from the context of earlier and lesser-known dreamers and tinkerers.
Cathedral, Forge, and Waterwheel is illustrated with more than 90 photographs and drawings. It is a Split Main Selection of the Book-of-the-Month Club.

In their latest medieval study, the Gieses (Life in a Medieval Village, 1990, etc.) explode the myth that the Middle Ages were unconcerned with the empirical and demonstrate that the Renaissance itself was the outcome of gradual progress made over the previous thousand years. The political and military facade of Imperial Rome masked a largely stagnant peasant economy--along with a mentality that had little incentive to explore labor-saving technology and dismissed the ``useful arts'' as unworthy of a free man. The authors show that by the year 900 the new Europe, for all its political chaos, had already surpassed the ancient Mediterranean world in technology. They describe the above-ground reduction furnace that was feeding iron to local forges where smiths shaped it into parts for the new heavy ploughs, spades, and shoes for horses now beginning to pull with the aid of the padded collar; the triangular lateen sail that could drive Viking ships to trading posts on the Volga; and the considerable extension of the use of the waterwheel. The Gieses work century by century through the Middle Ages (from 500 to 1500), listing new tools and methods, each page full of attractive detail and anecdote. An important chapter is devoted to the influence of China, via the Silk Road, and Islam. We also learn how cities developed from fortresses into centers of commerce and watch the growth of handicrafts, gothic architecture, universities, mass production, the printing press and more. The final chapters show how the notebooks of Leonardo da Vinci were indebted to lesser-known predecessors. The Gieses suggest that important factors were the early spread of Benedictine monasticism creating centers of culture where manual work as well as learning were honored, and the emergence of an intellectual tradition that encouraged curiosity about God's world and made possible the idea of progress by positing a linear, rather than a cyclical, view of time. A mine of information, suitable for the intelligent nonspecialist. (Seventy b&w illustrations) (Book-of-the-Month Selection for January) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Moving chronologically through a millennium (500-1500 A.D.), the authors (who have written numerous books on medieval life, including Life in a Medieval City , LJ 2/1/70) show that the term "Dark Ages" is a misnomer by deftly tracing the period's "main technological elements, . . . their known or probable sources, and their principal impacts." In addition to the technological developments highlighted in the book's title, the authors cover such topics as the textile industry and shipbuilding/rigging, plus obligatory topics like printing, engineering, and gunpowder. Throughout, they nimbly weave medieval cultural history into the discussion. Informative, readable, enjoyable, and well written, this work is directed to general readers. Highly recommended for all collections.
- Michael D. Cramer, Virginia Polytechnic & State Univ. Libs . , Blacksburg
Copyright 1994 Reed Business Information, Inc.

The flame of human ingenuity burned with surprising intensity during the medieval centuries. Already well known for their extensive research into medieval history and social life, the Gieses here explode the myth of the Dark Ages, showing that the Fall of Rome did not plunge Europe into stagnation and lethargy. Rather, the archaeological and historical record reveals that medieval Europeans borrowed discoveries from other lands (such as the compass, Hindu-Arabic numbers, gunpowder, and paper) and developed their own indigenous technologies (such as those in wind and water mills), so making continual progress in the use of natural resources. In the fields, peasants used a new harness (from China) to put the horse to work in place of the ox; in the forge, the blacksmith developed case-hardened tools for the carpenter; on the open seas, the sailor manipulated the new lanteen sail to guide ships constructed with radical new hull designs. While most of the technological development was anonymous and practical, medieval advances in fields such as astronomy and navigation led directly toward the feats of Copernicus and Columbus. Contemporary readers--prone to take computers and smart bombs for granted--will learn much from this chronicle of monks writing on lime-treated parchments and of knights fighting with newly devised stirrups. Bryce Christensen