China on Video: Smaller-Screen Realities (Routledge Studies in Asia's Transformations)
Language: English
Published by Routledge, 2010
Series: Book 29 of 33 - Routledge Studies in Asia's Transformations
- First Edition
- Hardcover
- New

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Relocates Chinese independent movie making from a film to a visual culture perspective enabling the author to explore the role that other movies (mostly, but not exclusively, popular culture products) play in the making of experimental and non-mainstream visual culture. Series: Routledge Studies in Asia's Transformations. Num Pages: 288 pages, 55 black & white illustrations, 55 black & white halftones. BIC Classification: 1FPC; APF; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 241 x 164 x 22. Weight in Grams: 562. . 2010. 1st Edition. hardcover. . . . .
Seller Inventory # V9780415464529
- Title
- China on Video: Smaller-Screen Realities (Routledge Studies in Asia's Transformations)
- Author
- Voci, Paola
- Publisher
- Routledge
- Publication year
- 2010
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0415464528
- ISBN 13
- 9780415464529
- Edition
- 1st Edition
- Series
- Book 29 of 33: Routledge Studies in Asia's Transformations
China On Video is the first in-depth study that examines smaller-screen realities and the important role they play not only in the fast-changing Chinese mediascape, but also more broadly in the practice of experimental and non-mainstream cinema. At the crossroads of several disciplines―film, media, new media, media anthropology, visual arts, contemporary China area studies, and cultural studies--this book reveals the existence of a creative, humorous, but also socially and politically critical "China on video", which locates itself outside of the intellectual discourse surrounding both auteur cinema and digital art.
By describing smaller-screen movies, moviemaking and viewing as light realities, Voci points to their "insignificant" weight in terms of production costs, distribution size, profit gains, intellectual or artistic ambitions, but also their deep meaning in defining an alternative way of seeing and understanding the world. The author proposes that lightness is a concept that can usefully be deployed to describe the moving image, beyond the specificity of recent new media developments and which can, in fact, help us rethink previous cinematic practices in broad terms both spatially and temporally.
"Synopsis" may belong to another edition of this title.
About the Author
Paola Voci is a senior lecturer at the University of Otago. Her area of research combines Chinese and film studies. She has published on Chinese cinema, documentary and other non-fiction film/videomaking in contemporary China and the media of the Chinese diaspora.
"About the title" may belong to another edition of this title.
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