Coherence, Counterpoint, Instrumentation, Instruction in Form (Zusammenhang, Kontrapunkt, Instrumentation, Formenlehre)

Schoenberg, Arnold (trans. Charlotte M. Cross and Severine Neff)

ISBN 10: 0803242301 / ISBN 13: 9780803242302

Published by University of Nebraska Press, Lincoln, NE, 1993

About this Item

lxxii, 135 pp. Hardcover with dust jacket. Condition: Very good; dust jacket condition: good. Ex-library copy, with the usual library label on dust cover, and library stamps inside book. Dust cover worn at edges and base of spine. Clean text, with no annotations or markings.
Lavish edition with photographs and copious music examples.

Seller Inventory # ABE-1784819440045

Bibliographic Details

• Title: Coherence, Counterpoint, Instrumentation, Instruction in Form (Zusammenhang, Kontrapunkt, Instrumentation, Formenlehre)
• Publisher: University of Nebraska Press, Lincoln, NE
• Publication Date: 1993
• Language: English
• ISBN 10: 0803242301
• ISBN 13: 9780803242302
• Binding: Hardcover
• Edition: 1st Edition
• Condition: Very Good
• Dust Jacket Condition: Very Good
• Dimensions: 18.7W x 26.1H x 2.6D centimeters 18.7 centimeters width by 26.1 centimeters height by 2.6 centimeters depth
• Weight: 690 grams
• Seller catalogs:
  • Music and musicology

About this title

Synopsis

Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him.

 

Fuller understanding has been delayed because many of his writings have not yet been edited or published. This volume collects four short works, each concentrated on a key issue in composition. Written in 1917, but altered and augmented many times in later years, the manuscripts edited and translated in this volume have never been published before.

 

Their importance can permit no further delay since they present Schoenberg's thinking well after the publication in 1911 of Harmonielehre, his revolutionary theoretical book. The later texts provide numerous prospects for enhancing the study and appreciation of Schoenberg's compositions and theories.

 

Also a painter, Schoenberg enjoyed the friendship of Kandinsky and the Berlin expressionists. This volume includes a frontispiece reproducing one of Schoenberg's paintings.

About the Author

Severine Neff is an associate professor of music theory at the University of Cincinnati College-Conservatory of Music. Charlotte Cross received her Ph.D in historical musicology from Columbia University, where she has also taught.