The Collected Captain Future Wizard of Science Volume One

Here is the content of a letter, attributed to Standard Magazines editor Leo Margulies, sent to science fiction fanzine editors in 1939. This text is from Bob Tucker's classic fanzine Le Zombie (vol. 2, No. 4, Oct 28, 1939) "Dear Mr. Tucker, Can there be anything new in scientifiction? We say yes -- and offer CAPTAIN FUTURE. Fellows, CAPTAIN FUTURE is tops in scientifantasy! A brand new book-length magazine novel devoted exclusively to a star-studded quartet of the most glamorous characters in the Universe. And the most colorful planeteer in the Solar System to lead them -- CAPTAIN FUTURE. You'll find Captain Future the man of Tomorrow! His adventures will appear in each & every issue of the magazine that bears his name. He ought to be good. We spent months planning the character, breathing the fire of life into him. For we feel that the man who controls the destinies of nine planets has to be good. But don't take our word for it -- get your first copy of CAPTAIN FUTURE the day it hits the newstands and marvel at the wizard of science as he does his stuff on every thrilling page. You'll find Captain Future the most dynamic space-farer the cosmos has ever seen. A super-man who uses the forces of super-science so that you will believe in them. You'll see Captain Future's space craft, the Comet spurting thru the ether with such hurricane fury you'll think Edmond Hamilton, the author, has hurled you on a comet's tail. And you'll agree that Captain Future's inhuman cavalcade -- the Futuremen -- supplement the world's seven wonders. There's Grag, the metal robot; Otho, the synthetic android; and Simon Wright, the living brain. A galaxy of the ultimate immortal forces! So come on....give the most scintillating magazine ever to appear on the scientifiction horizon the once over. You'll be telling us, as we tell you now, that CAPTAIN FUTURE represents fantasy at it's unbeatable best. CAPTAIN FUTURE will appear at all newsstands in a few weeks. Price, 15 cents. First issue features Edmond Hamilton's novel, CAPTAIN FUTURE AND THE SPACE EMPEROR. Cover by Rozen. Illustrations by Wesso. Short stories by Eric Frank Russell and O. Sarri. Brand new departments -- THE WORLDS OF TOMORROW, THE FUTUREMEN, UNDER OBSERVATION, and THE MARCH OF SCIENCE. That's all. --Leo Margulies" Table of Contents Introduction by Richard A. Lupoff Original Magazine Editorial "Captain Future and the Space Emperor" (Captain Future, Win 40) "Calling Captain Future" (Captain Future, Spr 40) "Captain Future's Challenge" (Captain Future, Sum 40) "The Triumph of Captain Future" (Captain Future, Fll 40) "The Future of Captain Future" Artwork Gallery

EDMOND HAMILTON (October 21, 1904 - February 1, 1977) A popular author of science fiction stories and novels during the mid-twentieth century. Born in Youngstown, Ohio, he was raised there and in nearby New Castle, Pennsylvania. Something of a child prodigy, he graduated high school and started college (Westminster College, New Wilmington, Pennsylvania) at the age of 14 but washed out at 17. His career as a science fiction writer began with the publication of the story, "The Monster God of Mamurth," which appeared in the August 1926 issue of the classic magazine of alternative fiction, Weird Tales. Hamilton quickly became a central member of the remarkable group of Weird Tales writers assembled by editor Farnsworth Wright, that included H. P. Lovecraft and Robert E. Howard. Hamilton would publish 79 works of fiction in Weird Tales between 1926 and 1948, making him one of the most prolific of the magazine's contributors (only Seabury Quinn and August Derleth appeared more frequently). Hamilton became a friend and associate of several Weird Tales veterans, including E. Hoffmann Price and Otis Adelbert Kline; most notably, he struck up a 40-year friendship with close contemporary Jack Williamson, as Williamson records in his 1984 autobiography Wonder's Child. In the late 1930s Weird Tales printed several striking fantasy tales by Hamilton, most notably "He That Hath Wings" (July 1938), one of his most popular and frequently-reprinted pieces. Through the late 1920s and early '30s Hamilton wrote for all of the SF pulp magazines then publishing, and contributed horror-thriller stories to various other magazines as well. He was very popular as an author of space opera, a sub-genre he created along with E.E. "Doc" Smith. His story "The Island of Unreason" (Wonder Stories, May 1933) won the first Jules Verne Prize as the best SF story of the year (this was the first SF prize awarded by the votes of fans, a precursor of the later Hugo Awards). In the later 1930s, in response to the economic strictures of the Great Depression, he also wrote detective and crime stories. In the 1940s, Hamilton was the primary force behind the "Captain Future" franchise, an SF pulp designed for juvenile readers that won him many fans, but diminished his reputation in later years when science fiction moved away from its space-opera roots. Hamilton was always associated with an extravagant, romantic, high-adventure style of SF, perhaps best represented by his 1947 novel The Star Kings. As the SF field grew more sophisticated, his brand of extreme adventure seemed ever more quaint, corny, and dated. In 1946 Hamilton began writing for DC Comics, specializing in stories for their characters Superman and Batman. One of his best known Superman stories was "Superman Under the Red Sun" which appeared in Action Comics #300 in 1963 and which has numerous elements in common with his novel City At World's End (1951). He wrote other works for DC Comics, including the short-lived science fiction series Chris KL-99 (in Strange Adventures), which was loosely based on his Captain Future character. He retired from comics in 1966. On December 31, 1946, Hamilton married fellow science fiction author and screen writer Leigh Brackett. Afterward he would produce some of his best work, including his novels The Star of Life (1947), The Valley of Creation (1948), City at World's End, and The Haunted Stars (1960). In this more mature phase of his career, Hamilton moved away from the romantic and fantastic elements of his earlier fiction to create some unsentimental and realistic stories, such as "What's It Like Out There?" (Thrilling Wonder Stories, Dec. 1952), his single most frequently-reprinted and anthologized work. adapted from the Wikipedia entry on Edmond Hamilton