The Color of Time: The Photographs of Sean Scully

Sean Scully; Arthur C. Danto; Mia Fineman; Edward Lucie-Smith; Garrett White

ISBN 10: 3882439610 / ISBN 13: 9783882439618

Published by Steidl, 2004

About this Item

2004 first edition landscape hardback with unclipped dustjacket. Featuring essays by Arthur C. Danto and Mia Fineman plus an interview with Edward Lucie-Smith together with full page colour reproductions of Scully's photographs. Interior in excellent clean condition with no writing, marks or tears. Dustjacket clean and shiny, small remains of price label to rear. Note that to send outside the Uk will incur extra shipping due to weight.

Seller Inventory # 009393

Bibliographic Details

• Title: The Color of Time: The Photographs of Sean Scully
• Publisher: Steidl
• Publication Date: 2004
• Language: English
• ISBN 10: 3882439610
• ISBN 13: 9783882439618
• Binding: Hardcover
• Edition: 1st Edition
• Condition: Near Fine
• Dust Jacket Condition: Near Fine

About this title

Synopsis

Painter, photographer, watercolorist, and printmaker Sean Scully roams the world with his camera, capturing its surfaces in places as far-flung as Mexico and the Aran Islands, as close to home as his own studio. His photographs sometimes consist of close-up shots of his own paintings, wherein he zooms in on the material reality of his richly painted surfaces and transforms their colors and shapes into a different abstract configuration. More often, Scully goes from recognizable objects in the larger world to subjective impressions of them. Snapshots of fa ades, windows, and doors are never straightforward recordings of architectural elements. By depicting fading walls, cracked surfaces, rough edges, and the deep shadows created by them, these images capture beauty in decay, and evoke the basic contradiction of nature and life: solidity and fragility, timelessness and change. As metaphors of physical and mental conditions, the photographs capture the memories, feelings, and thoughts connected to the experience of that reality. It is precisely this continuing interchange of the recognizable and abstract worlds, the visible and the invisible, that empowers Scully's works in all media.