Collecting the third and fourth volumes of The Complete Peanuts (1955-1956 and 1957-1958) in one handsome collector's slipcase designed by the cartoonist Seth, this is the perfect gift book item.
In The Complete Peanuts 1955-1956: The third volume in our acclaimed series takes us into the mid-1950s as Linus learns to talk, Snoopy begins to explore his eccentricities (including his hilarious first series of impressions), Lucy's unrequited crush on Schroeder takes final shape, and Charlie Brown becomes...well, even more Charlie Brown-ish! Over half of the strips in this volume have never been printed since their original appearance in newspapers a half-century ago! Even the most dedicated
Peanuts collector/fan is sure to find many new treasures.
The Complete Peanuts will run 25 volumes, collecting two years chronologically at a rate of two a year for twelve years. Each volume is designed by the award-winning cartoonist Seth (
It's a Good Life If You Don't Weaken) and features impeccable production values; every single strip from Charles M. Schulz's 50-year American classic is reproduced better than ever before. This volume includes an introduction by Matt Groening (
The Simpsons) as well as the popular
Complete Peanuts index, a hit with librarians and collectors alike, and an epilogue by series editor Gary Groth.
In The Complete Peanuts 1957-1958: As the 1950s close down,
Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week "Lost Weekend" sequence of blanketlessness. Charlie Brown cascades further down the hill to loserdom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes "the Goat" and is driven from the field in a chorus of BAAAAHs); at least his newly acquired "pencil pal" affords him some comfort. Pig-Pen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder. But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star not only of this volume, but of the collector's slipcase. Introduction by Jonathan Franzen (
The Corrections). 1461 black-and-white comic strips
Charles M. Schulz was born November 25, 1922, in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google). His ambition from a young age was to be a cartoonist and his first success was selling 17 cartoons to the Saturday Evening Post between 1948 and 1950. He also sold a weekly comic feature called Li'l Folks to the local St. Paul Pioneer Press. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.
He started submitting strips to the newspaper syndicates and in the spring of 1950, United Feature Syndicate expressed interest in Li'l Folks. They bought the strip, renaming it Peanuts, a title Schulz always loathed. The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952. Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day-and the day before his last strip was published, having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand ― an unmatched achievement in comics.
Matt Groening (b. 1954) is an Emmy Award-winner, best known for co-creating animated TV series such as
The Simpsons and
Futurama. He also created the long-running alt-weekly strip
Life In Hell for which he won a Reuben Award (2002) by the National Cartoonist Society.
Jonathan Franzen is a National Book Award and James Tait Black Memorial Prize winner and Pulitzer Prize finalist, and was shortlisted for the International IMPAC Dublin Literary Award.
