Concrete and Clay: Reworking Nature in New York City (Urban and Industrial Environments)
Gandy, Matthew; Gottlieb, Robert
Language: English
Published by The MIT Press, 2002
- First Edition
- Hardcover
- Used

Seller: The Old Print Shop, Inc., New York, NY, U.S.A.The Old Print Shop, Inc.
AbeBooks seller since May 19, 2020
Condition: Used - As new
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Add to basketItem description from seller
Matthew Gandy. xi (1) 344 pages, 39 illustrations, notes, octavo (8vo), hardcover, black cloth white text on spine, dust jacket. As new condition, unsold inventory of an old bookstore. Inventory #26651-1.
Seller Inventory # 000585
- Title
- Concrete and Clay: Reworking Nature in New York City (Urban and Industrial Environments)
- Author
- Gandy, Matthew; Gottlieb, Robert
- Publisher
- The MIT Press
- Publication year
- 2002
- Condition
- As New
- Dust jacket
- As New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0262072246
- ISBN 13
- 9780262072243
- Edition
- 1st Edition
- Item weight
- 3 pounds
- Dimensions
- 8vo - over 7¾ - 9¾" tall
- Series
- Book 8 of 70: Urban and Industrial Environments
In this innovative account of the urbanization of nature in New York City, Matthew Gandy explores how the raw materials of nature have been reworked to produce a "metropolitan nature" distinct from the forms of nature experienced by early settlers. The book traces five broad developments: the expansion and redefinition of public space, the construction of landscaped highways, the creation of a modern water supply system, the radical environmental politics of the barrio in the late 1960s and early 1970s, and the contemporary politics of the environmental justice movement.Drawing on political economy, environmental studies, social theory, cultural theory, and architecture, Gandy shows how New York's environmental history is bound up not only with the upstate landscapes that stretch beyond the city's political boundaries but also with more distant places that reflect the nation's colonial and imperial legacies. Using the shifting meaning of nature under urbanization as a framework, he looks at how modern nature has been produced through interrelated transformations ranging from new water technologies to changing fashions in landscape design. Throughout, he considers the economic and ideological forces that underlie phenomena as diverse as the location of parks and the social stigma of dirty neighborhoods.
"Synopsis" may belong to another edition of this title.
About the Author
Matthew Gandy teaches geography and urban studies in the Faculty of Social and Historical Sciences at University College London. He has been a visiting scholar in the Graduate School of Architecture, Planning, and Preservation at Columbia University.
"About the title" may belong to another edition of this title.
The Old Print Shop, Inc.
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The Old Print Shop, Inc. was founded in New York City in 1898 and is currently owed by Harry and Robert Newman. The gallery specializes in American art with a specialty in printmaking, 1700 to contemporary, maps prior to 1950, and books relating to art, printmaking, and architecture. Edward Gottschalk founded The Old Print Shop in 1898. At that time, it was located between 9th and 10th Streets on Fourth Avenue in back of Wanamaker's. He moved the shop to its current location in 1925. After Mr. Gottschalk's death, his widow hired Harry Shaw Newman, who had sold prints to Mr. Gottschalk, to run the Shop with an option to buy over a five-year period. The contract was signed on October 11, 1928. The final payment was due by October 31, 1933. The roaring twenties was an exciting time to own an art gallery. Prices for prints and paintings were at an all-time high. But in 1933, the middle of the Great Depression, few people were buying art, and it was a bad time to owe money. Through the help of a friend and fellow Currier & Ives enthusiast, Harry T. Peters, Harry Shaw Newman was able to get a loan that enabled him to make his final payment on the shop in 1933. The shop's first period of strong growth began during the 1940's. Although World War II was devastating Europe and Asia, most of America was back at work. Harry Shaw Newman realized that nineteenth-century American paintings were being overlooked by collectors and museums and was quick to bring them to the attention of the public. In the 1950's it was American primitive art and sculpture. The Shop was instrumental in helping build several notable collections of American primitive art. During the 1960's, 1970's, and 1980's there was a re-evaluation of American art from the past two centuries. The Shop chose at this time to concentrate on American printmakers and publishers from the eighteenth, nineteenth, and early twentieth centuries. Today, many museums in America, Europe, and Asia collect and display fine prints. As The Old Print Shop moves into its second century, it will continue to look for art that has been overlooked and reintroduce it to patrons and collectors.…
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