Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures

Fernandes, Sujatha

ISBN 10: 0822338912 / ISBN 13: 9780822338918

Published by Duke University, 2006

About this Item

Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Sociology & Culture; Cuba; Politics & Government. ISBN: 0822338912. ISBN/EAN: 9780822338918. All our pictures shown here are of the actual item, not stock photos. Inventory No: 23098: Storage For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.

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Bibliographic Details

• Title: Cuba Represent! Cuban Arts, State Power, and the Making of New Revolutionary Cultures
• Publisher: Duke University
• Publication Date: 2006
• Language: English
• ISBN 10: 0822338912
• ISBN 13: 9780822338918
• Binding: Softcover (Stiff Card)
• Edition: First Edition.
• Condition: Very Good
• Dust Jacket Condition: No Dust Jacket
• Seller catalogs:
  • Sociology & Culture

About this title

Synopsis

In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes—a scholar and musician who has performed in Cuba—answers that question.

Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation’s history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government’s resilience stems from its ability to absorb oppositional ideas and values.

About the Author

Sujatha Fernandes is Assistant Professor of Sociology at Queens College, City University of New York.