Dramaturgy in Motion: At Work on Dance and Movement Performance (Studies in Dance History)

Katherine Profeta

ISBN 10: 0299305945 / ISBN 13: 9780299305949

Published by University of Wisconsin Press, 2015

About this Item

Series: Studies in Dance History. Num Pages: 280 pages, 31 photographs. BIC Classification: ASD. Category: (G) General (US: Trade). Dimension: 156 x 291 x 20. Weight in Grams: 398. . 2015. 1st Edition. Paperback. . . . .

Seller Inventory # V9780299305949

Bibliographic Details

• Title: Dramaturgy in Motion: At Work on Dance and Movement Performance (Studies in Dance History)
• Publisher: University of Wisconsin Press
• Publication Date: 2015
• Language: English
• ISBN 10: 0299305945
• ISBN 13: 9780299305949
• Binding: Soft cover
• Edition: 1st Edition
• Condition: New

About this title

Synopsis

Dramaturgy in Motion innovatively examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking “Who is the dramaturg?” to “What does the dramaturg think about?”
            Profeta explores five arenas for the dramaturg’s attention—text and language, research, audience, movement, and interculturalism. Drawing on her extended collaboration with choreographer and visual artist Ralph Lemon, she grounds her thinking in actual rehearsal-room examples and situates practice within theoretical discourse about contemporary dramaturgy. Moving between theory and practice, word and movement, question and answer until these distinctions blur, she develops the foundational concept of dramaturgical labor as a quality of motion.
            Dramaturgy in Motion will be invaluable to practitioners and scholars interested in the processes of creating contemporary dance and movement performance—particularly artists wondering what it might be like to collaborate with a dramaturg and dramaturgs wondering what it might be like to collaborate on movement performance. The book will also appeal to those intrigued by the work of Lemon and his collaborators, to which Profeta turns repeatedly to unfold the thorny questions and rich benefits of dramaturgical labor.

About the Author

Katherine Profeta is a professor in the Practice of Dramaturgy and Dramatic Criticism at the David Geffen School of Drama at Yale. She has been the dramaturg for choreographer and visual artist Ralph Lemon since 1997, as well as for numerous other choreographers and theater companies. She is also a founding member and choreographer with the theater company Elevator Repair Service.