Synopsis
The epitome of Modernist style and luxurious comfort, Charles and Roy Eames's leather-upholstered rosewood-veneered chair and matching ottoman is a design classic of the 20th century. Celebrating the lounge chair's 50th anniversary, this text explores it in its cultural, historical and social contexts.
About the Author
Martin Eidelberg is professor emeritus of art history at Rutgers University, New Brunswick, New Jersey. Thomas Hilne is a social, cultural and design historian and critic. Pat Kirkham is a professor at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York. David Hanks is consulting curator for design at the Grand Rapids Art Museum, Michigan. C.Ford Peatross is curator of the Architecture, Design, and Engineering Collections, Prints and Photographs Division, at the Library of Congress, Washington, D.C.
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