Ecology and Environment in European Drama: 14 (Routledge Advances in Theatre & Performance Studies)
Language: English
Published by Routledge, 2011
Series: Book 10 of 256 - Routledge Advances in Theatre & Performance Studies
- First Edition
- Softcover
- New

Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
AbeBooks seller since February 27, 2001
Condition: New
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In this ecocritical chronicle, Cless studies the conflicted role of nature in major plays from ancient to recent times. Focusing on playwrights from Aristophanes to Shakespeare to Giraudoux, this wide-ranging book offers a novel approach to the historical roots of contemporary eco-theatre. Num Pages: 244 pages. BIC Classification: 1D; AN; DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152. Weight in Grams: 385. . 2011. 1st Edition. paperback. . . . .
Seller Inventory # V9780415807791
- Title
- Ecology and Environment in European Drama: 14 (Routledge Advances in Theatre & Performance Studies)
- Author
- Cless, Downing
- Publisher
- Routledge
- Publication year
- 2011
- Condition
- New
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0415807794
- ISBN 13
- 9780415807791
- Edition
- 1st Edition
- Series
- Book 10 of 256: Routledge Advances in Theatre & Performance Studies
Looking at European drama through an ecological lens, this book chronicles nature and the environment as primary topics in major plays from ancient to recent times. Cless focuses on the few, yet well-known plays in which nature is at stake in the action or the environment is a dramatic force. Though theater predominantly explores human and cultural themes, these plays fully display the power of the other-than-human world and its endangerment during the history of Europe. While offering a broad overview, the book features extensive case studies of several playwrights, plays, and eco-theater productions: Aristophanes’ The Birds, Marlowe’s Doctor Faustus, Shakespeare’s A Midsummer Night’s Dream and The Tempest, and Giraudoux’s The Madwoman of Chaillot. In each case, Cless connects nature in the play to nature in the life of the playwright based on biographical research into the understanding of natural philosophy and awareness of the immediate environment that influenced the specific play. The book is one of the first of its kind in a growing field of ecocriticism and emerging eco-studies of theater.
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