The Eye of Duncan Phillips : a Collection in the Making / Editor, Erika D. Passantino ; Consulting Editor, David W. Scott ; Researchers, Virginia Speer Burden . [Et Al. ]
Passantino, Erika D. David W. Scott (Eds. )
Language: English
Published by Washington, DC : Phillips Collection In Association With Yale University New Haven, 1999
- First Edition
- Hardcover
- Used

Condition: Used
US$ 166.80
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An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 820 pages; Description: xix, 820 p. : ill. (some col. ) ; 31 cm. Illustrated endpapers. Includes bibliographical references (p. [685]-809) and index. Subjects: Phillips, Duncan (1886-1966) --Art patronage. Phillips Collection --Catalogs. 5 Kg.
Seller Inventory # 111874
- Title
- The Eye of Duncan Phillips : a Collection in the Making / Editor, Erika D. Passantino ; Consulting Editor, David W. Scott ; Researchers, Virginia Speer Burden . [Et Al. ]
- Author
- Passantino, Erika D. David W. Scott (Eds. )
- Publisher
- Washington, DC : Phillips Collection In Association With Yale University New Haven
- Publication year
- 1999
- Dust jacket
- Dust Jacket Included
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0300080905
- ISBN 13
- 9780300080902
- Edition
- First Edition.
- Item weight
- 5 kilograms
"Synopsis" may belong to another edition of this title.
Reviews
More than simply a catalog to the holdings of the Phillips Collection in Washington, DC, this massive book offers a virtual tour of Modernism as observed by the museum's founder, Duncan Phillips (1886-1966). Introductory essays give an overview of the man behind the insitution. Phillips was an astute and opinionated critic as well as collector, and the analysis of his changing opinions on the art of his day are of considerably more significance than the sort of hagiographic stuff one usually finds in collectors' catalogs. At the end of the book are several appendixes offering a wealth of data for researchers on Phillips's writings and shows at the collection as well as copious notes. But the vast center of the book--nearly 600 pages--is filled with an inventively organized catalog of the collection, or at least several hundred important pieces from it. Eleven chapters open with topical essays (from "Sources of Modernism" to "Washington and Baltimore Artists"), which are followed by subchapters offering biographical history, pictorial analysis, and plates of works by artists relevant to the period and place in question. The writing throughout is scholarly but completely lucid. A model work, this is highly recommended for all but small public libraries.
-Eric Bryant, "Library Journal"
Copyright 2000 Reed Business Information, Inc.
"About the title" may belong to another edition of this title.
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