Federico Barocci Renaissance Master of color and line

Hageman Marielle and Mostert Marco edited by

ISBN 10: 0300174772 / ISBN 13: 9780300174779

Published by Yale University Press, New Haven, 2012

About this Item

Title: FEDERICO BAROCCI : Renaissance Master of Color and Line Author: Mann, Judith W. ; Babette Bohn Price: Euro 250,00 ISBN: 9780300174779 Description: New Haven: Yale University Press, Saint Louis Art Museum, 2012. 28cm., hardcover, 360pp., 214 color illus. Exhibition catalogue. Summary: Federico Barocci (c. 1533/35¿1612) was one of the most innovative Italian artists of the second half of the 16th century. His art combines the Renaissance focus on the human body with an unparalleled use of color and light. He created dynamic compositions that challenged the limitations of traditional pictorial boundaries, becoming a model for Baroque artists of the following century. Nearly 1,500 drawings by Barocci survive, providing invaluable insight into the artist's process and thinking. Essays by leading scholars in the field discuss the role of Urbino¿Barocci's hometown¿in the artist's development; his pioneering approach to religious subjects; his technique as a draftsman; the interdependence of painting and drawing in his work; and his use of red underpaint. Catalogue entries treat nineteen groups of paintings and drawings, including many previously unpublished sheets. This beautiful and groundbreaking book reveals the breadth and significance of Barocci's oeuvre.

Seller Inventory # 007006

Bibliographic Details

• Title: Federico Barocci Renaissance Master of color and line
• Publisher: Yale University Press, New Haven
• Publication Date: 2012
• Language: Italian
• ISBN 10: 0300174772
• ISBN 13: 9780300174779
• Binding: Couverture rigide
• Edition: Edition originale
• Condition: Neuf
• Dust Jacket Condition: Neuf

About this title

Synopsis

Federico Barocci (c. 1533/35–1612) was one of the most innovative Italian artists of the second half of the 16th century. His art combines the Renaissance focus on the human body with an unparalleled use of color and light. He created dynamic compositions that challenged the limitations of traditional pictorial boundaries, becoming a model for Baroque artists of the following century. Nearly 1,500 drawings by Barocci survive, providing invaluable insight into the artist's process and thinking.

Essays by leading scholars in the field discuss the role of Urbino—Barocci's hometown—in the artist's development; his pioneering approach to religious subjects; his technique as a draftsman; the interdependence of painting and drawing in his work; and his use of red underpaint. Catalogue entries treat nineteen groups of paintings and drawings, including many previously unpublished sheets. This beautiful and groundbreaking book reveals the breadth and significance of Barocci's oeuvre.

About the Author

Judith W. Mann is curator of European art to 1800 at Saint Louis Art Museum. Babette Bohn is professor of art history at Texas Christian University, Fort Worth.