Synopsis
The first biography written with the full cooperation of the O'Keeffe family examines the artist's long and distinguished career, her personal relationships, and her significance in terms of American art and the women's movement
Reviews
This biography, the first to draw on sources unavailable during O'Keeffe's lifetime--and the first to be granted her family's cooperation--offers a persuasive feminist analysis of the life and work of an iconic figure in American art. Inspired by strong women in a Midwestern family that stressed a sturdy sense of self-reliance, O'Keeffe bucked oppressive social conventions to become one of the first female American artists to lead a professionally successful and emancipated life. But along the way lay struggle: O'Keeffe had to fight for emotional and artistic independence in her public and private lives, experiencing particular difficulties in her relationships with men, most notably her benefactor and husband, photographer Alfred Stieglitz. Novelist Robinson's ( Summer Light ) detailed, sensitive critique of O'Keeffe's work, tracing the development of the artist's esthetic, alternates with an absorbing, intimate narrative of O'Keeffe's personal life (including her notorious relationship with Juan Hamilton, six decades her junior, and the public battle over her estate) to provide a resourceful, imaginatively rendered portrait of a dauntingly difficult subject. Photos not seen by PW. BOMC alternate.
Copyright 1989 Reed Business Information, Inc.
The painter Georgia O'Keeffe lived a long and complicated life, and her work has become a cultural icon, so demand for this title should be great. It is by no means a definitive biography, however. Novelist Robinson has clearly done her homework, but the uses to which she puts it are sometimes curious. After quoting a passage from O'Keeffe's correspondence, she cannot resist reiterating what she thinks the painter felt, even though O'Keeffe has just told us. Elsewhere, the description of an early romantic relationship of O'Keeffe's is vividly delineated, but we learn only in a footnote that the letters on which the description is based are only conjecturally from the man in question. While Robinson at times veers toward sentimentality in writing about the artist's life, she never does so about the work, and she treats the emotional complexity of O'Keeffe's marriage to Alfred Stieglitz and relationship with her companion Juan Hamilton with intelligence and care. Still, she wears the reader out (it takes 200 pages to get to Stieglitz's first showing of her work). This might have been a happier book as a novelization. --GraceAnne A. DeCandido, "Library Journal"
Copyright 1989 Reed Business Information, Inc.
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