The Gilded Gutter Life of Francis Bacon (First UK Edition)

[Francis Bacon] Daniel Farson

ISBN 10: 0712657258 / ISBN 13: 9780712657259

Published by Century, London, 1993

About this Item

Hardcover. First UK Edition, preceding all others. About Fine in a lightly rubbed, Near Fine dust jacket.

Seller Inventory # 166822

Bibliographic Details

• Title: The Gilded Gutter Life of Francis Bacon (First UK Edition)
• Publisher: Century, London
• Publication Date: 1993
• Language: English
• ISBN 10: 0712657258
• ISBN 13: 9780712657259
• Binding: Hardcover
• Edition: 1st Edition
• Dust Jacket Condition: Dust Jacket Included
• Seller catalogs:
  • Biography
  • Nonfiction
  • Artists

About this title

Synopsis

Widely regarded as the best British painter since Turner, very little is known about Francis Bacon's life. In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.

From Kirkus Reviews

``Gilded gutter life'' means rough but rich trade among gays, and Farson thus identifies the sex life of the English painter Francis Bacon (1909-92) with his work--which many think of with sheer horror. Farson (The Man Who Wrote Dracula, 1976; the fictional Swansdowne, 1987, etc.) was friends with Bacon for 40 years, and he intends a memoir here, not a biography, although the latter is charcoaled in amid the gay barhopping. Born in Dublin around the corner from Oscar Wilde's birthplace, Bacon was so wildly and ingeniously wise that his life seems secondary to his table talk, as captured here and in David Sylvestre's 1975 Interviews. Though eventually very wealthy, Bacon dismissed material possessions, lived in reclusive squalor, thought posterity was rubbish, and--to the outsider--seemed to project some ghastly self-hatred upon the monstrously distorted humans in his canvases. Bacon could paint as literally as anyone, was bored by mere likeness, and set out to distort reality into reality. He'd paint from photos rather than hurt the feelings of subjects who sat for him, then saw themselves ``damaged'' by his distortions. Says Farson: ``He...was totally amoral. He had little time for weakness in others and no patience with human foibles or small vanities. He was easily bored.... Even if he had not become a painter his personality was so original that he would have made an impression on his time.'' When his father found him dressing up in his mother's underwear at 15, he was shipped off to London to live alone on three pounds a week. Completely irreligious, he said he painted death as the shadow of life because he loved life so greatly. A physical masochist, a mental sadist, he offered as his favorite saying: ``We are meat. Cheerio!'' Like crawling in a tub of dead fish--but a great read. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.