Godard's Contempt : Essays from the London Consortium. This item is unavailable.
Language: English
Published by Wiley & Sons, Incorporated, John, 2012
- First Edition
- Softcover
- Used

Seller: Better World Books Ltd, Dunfermline, United KingdomBetter World Books Ltd
AbeBooks seller since October 13, 2008
Condition: Used - Good
US$ 19.73
Item description from seller
Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Seller Inventory # 45725189-20
- Title
- Godard's Contempt : Essays from the London Consortium
- Publisher
- Wiley & Sons, Incorporated, John
- Publication year
- 2012
- Condition
- Good
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 1444339311
- ISBN 13
- 9781444339314
- Edition
- 1st Edition.
- Item weight
- 0.721 pounds
- Dimensions
- N/A
- Features contributions from a wide range of cultural and disciplinary backgrounds
- Essays are brought together to form the basis of a new analysis of one of the most intriguing films of the twentieth century
- Incorporates essays from students studying in the London Consortium, a partnership of five institutions including the Architectural Association, Birkbeck, University of London, the Institute of Contemporary Arts, the Science Museum, and the Tate
- Contains an introduction and post-script from the editors
"Synopsis" may belong to another edition of this title.
About the Author
Colin MacCabe is Distinguished Professor of English and Film at the University of Pittsburgh and Associate Director of the London Consortium. His books include The Eloquence of the Vulgar: Cinema, Language and Politics (1999), Godard: A Portrait of the Artist at 70 (2004), T.S. Eliot (2006), and The Butcher Boy (2007). He has also produced feature films, television documentaries and installations, his most recent films are Derek (2008) and Ways of Listening (2012).
Laura Mulvey is Professor of Film and Media Studies at Birkbeck College, University of London. She has written extensively on film and film theory. Her books include Fetishism and Curiosity (1996), Death Twenty-four Times a Second: Stillness and the Moving Image (2006), Experimental British Television (edited with Jamie Sexton, 2007), and Visual and Other Pleasures (2nd edition, 2009). She has co-directed films, including Riddles of the Sphinx (1978) and Frida Kahlo and Tina Malatti (1980), as well as the documentary Disgraced Monuments (1996).
"About the title" may belong to another edition of this title.