Synopsis
After killing a man in an instant of blind fury and fear, Dan Lambert--desperate, unemployed, and torn by dark memories--flees south toward the Louisiana bayous in search of personal redemption, with the police and bounty hunters in close pursuit. 100,000 first printing. $75,000 ad/promo.
Reviews
McCammon has followed the popular and critical success of Boy's Life with a book that is much darker, but written with the same headlong narrative grip. Dan Lambert is a bitter Vietnam vet in Louisiana at the end of his rope: Agent Orange has condemned him to a slow death, he has split from his wife and now the bank wants to repossess his truck, his only hope of getting work. In a moment of blind madness he kills a bank loan officer and runs, followed by two of the unlikeliest bounty hunters you'll ever meet: Flint, who carries the half-formed head and arm of an unseparated twin brother in his side, and Pelvis, who makes a living impersonating guess who , but has a distinctly better self. As he runs, Lambert picks up another misfit, Arden, an otherwise lovely girl with a horribly disfiguring birthmark, who is seeking a legendary faith healer in the Gulf swamplands where Lambert tries to hide. Most of the book recalls an action-packed popular movie, with car chases, some evil dope runners, murderous alligators and an explosive climax involving a Vietnam-era patrol boat. It's a strong adventure yarn, but McCammon seems to want to bathe it in some sort of cosmic significance, and the attempt to give Flint legendary stature, as well as a mistily mystical windup at a wilderness hospital run by nuns (where Arden can be "cured") take some swallowing. Literary Guild alternate.
Copyright 1992 Reed Business Information, Inc.
If, in Boy's Life (1991), McCammon took a giant step away from horror (Mine, 1990, etc.) and toward his own potent brand of southern gothic, here he takes a daring leap--with a captivating but calculatedly eccentric fable of an outlaw Vietnam vet who learns about the power of redemption. The vet is Dan Lambert, 41, a hard-luck Louisiana carpenter slowly dying from cancer (Agent Orange). Dan's story starts out in swift if familiar thriller-fashion as, through a series of tragic overreactions, he shoots dead the bank officer who's ordered his truck repossessed, and flees. In fact, this opening strongly echoes that of David Morrell's First Blood, which introduced fellow-vet Rambo--but where Rambo was chased by a stalwart sheriff, Dan is soon hounded by two markedly bizarre characters: Flint Murtaugh, a bounty hunter whose secret weapon is the Derringer held by his Siamese-twin brother, Clint, whose arm and head extend from Flint's torso; and Flint's new sidekick, Pelvis Eisley, a drop-dead Elvis (circa 1977) impersonator. And after he makes final contact with his estranged wife and son, Dan finds himself traveling with yet another misfit, Arden--whose beautiful face is marred by a hideous port-wine stain and who's searching for the ``Bright Girl,'' a legendary faith healer whose touch will erase her scar. Improbable events pile up as hunters and hunted race into the deep bayou, where Flint/Clint and Pelvis run afoul of drug dealers and where Dan, touched by his hunters' flawed humanity, joins forces with a Cajun swamp rat to fight to save their lives--and then accompanies Arden to her transfiguring meeting with Bright Girl. No subtlety but lots of surprises, not the least of which is McCammon's ability to humanize deeply even the most absurd of characters. With its careening plot, jackhammer suspense, and very Dean Koontz-like upbeat moral gloss, then--a real crowd-pleaser. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Author McCammon ( Boy's Life , LJ 7/91) has made a name for himself with well-crafted horror thrillers but recently has explored other areas of fiction. Gone South contains danger and suspense, but it is primarily the story of a quest. Dan, dogged by depression and Agent Orange-induced leukemia, has accidentally killed a man. On the run, he meets Arden, a disfigured woman abandoned at a truck stop. He reluctantly agrees to help her on her journey to the Louisiana swamps where, she believes, the legendary Bright Girl will heal her. Meanwhile, an unlikely pair of bounty hunters is on Dan's trail: Flint began life as a carnival freak, with his Siamese twin's tiny arm and half-formed face protruding from his chest; he is saddled with training Cecil, a self-deprecating and pathetically friendly Elvis impersonator. These four misfits collide and, finally, arrive where the Bright Girl may actually live. What happens then has the satisfaction of a fairy-tale quest fulfilled. Their wishes come true, although not in ways they would have guessed. The four characters are wonderful. Their problems, while unusual, seem very real. And the scenes between irritated, icy Flint and soft-spoken, naive Cecil lend at times a slapstick quality to the novel. Highly recommended. Literary Guild alternate; previewed in Prepub Alert LJ 6/15/92.
- A.M.B. Amantia, Population Crisis Committee Lib., Washington, D.C.
Copyright 1992 Reed Business Information, Inc.
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