Synopsis
In these ten stories, Mark Richard, winner of the 1990 PEN/Ernest Hemingway Foundation Award, emerges as the heir apparent to Mark Twain, Flannery O'Connor, and William Faulkner.
From the Trade Paperback edition.
Reviews
In lush language and varied voice, Richard gives life to a small world in these 10 stories filled with humor, heartbreak, love and its loss. His people are beyond the fringe of ordinary society, disenfranchised in their souls if not the reality of their Southern, down-and-out lives. A young boy in "This Is Us, Excellent" offhandedly reveals the abuse he, his brother and mother take from his father, and then finds revenge--perhaps in fantasy, perhaps really--at an abandoned amusement park. Two young men who work for an illiterate farmer dispose of a bloated, floating corpse of a horse in "Happiness of the Garden Variety." Love illuminates "Her Favorite Story," about a reclusive river dweller who will turn to the company of others after a time spent alone grieving for his dead lover. Love lost sends a fat beach-motel owner swimming beyond the breakers to the Gulf Stream in "Genius," and love of an unnamed kind motivates a mud-eating cave dweller to sing bird calls at the burial of an old lady in "Feast of the Earth, Ransom of the Clay." Startling images, unfettered language, broad comedy and respect for the essential humanity of his out-of-the-mainstream characters mark this debut collection. Readers will long for more.
Copyright 1989 Reed Business Information, Inc.
In Richard's collection of short stories, we are in familiar but updated Faulkner/Caldwell territory, the gothic American South. Specifically, we are in the country of that endangered species, the redneck. In sharply detailed stories presented without excuse or judgment, and often with a sharp bite of humor, Richard offers creditable characters in the middle of their singular lives. In the complex title story, Powell has come to ask Bill Doodlum for his daughter's hand, "second-hand as it was, a little legal holdover from the mixed-up-divorce-from-Tommy-John." As the two men sit in the garage drinking beer, the reader learns about the Doodlums of Doodlum County and the Carters of Carter County, and also learns why, when Bill's wife shoots him, his death is recorded as a suicide. Though full of peculiarly Southern connections, these stories transcend Southern particularity. They are about universals: love and loss and birth and death. --Marcia Tager, Tenafly, N.J.
Copyright 1989 Reed Business Information, Inc.
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