War, Image and Legitimacy: Viewing Contemporary Conflict (Contemporary Security Studies)
Language: English
Published by Routledge, 2007
- First Edition
- Hardcover
- New

Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
AbeBooks seller since February 27, 2001
Condition: New
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Examines how image affects war and whether image affects our understanding of war. Providing examples from fiction and factual film and television news, as well as digital media, this book introduces the notion of moving images as weapons in armed conflict. It is useful to students of war and security studies; and media and communication studies. Series: Contemporary Security Studies. Num Pages: 296 pages, black & white illustrations. BIC Classification: JFC; JFD; JWL. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 162 x 21. Weight in Grams: 580. . 2007. 1st Edition. hardcover. . . . .
Seller Inventory # V9780415401012
- Title
- War, Image and Legitimacy: Viewing Contemporary Conflict (Contemporary Security Studies)
- Author
- Gow, James
- Publisher
- Routledge
- Publication year
- 2007
- Condition
- New
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0415401011
- ISBN 13
- 9780415401012
- Edition
- 1st Edition
- Series
- Book 49 of 129: Contemporary Security Studies
This book examines how image affects war and whether image affects our understanding of war. Crucially, how can moving-image representation of conflict affect the legitimacy, conduct and outcome of contemporary warfare?
The collapsing Twin Towers of September 11; the hooded figure at the Abu Ghraib prison in Iraq; the images of beheadings on the internet; the emaciated figure in a Bosnian-Serb concentration camp; the dancing flashes across the skylines of Baghdad as US-led air bombardment deals blows to another ‘rogue’ regime: such images define contemporary conflict.
Drawing on a wide range of examples from fiction and factual film, current affairs and television news, as well as new digital media, this book introduces the notion of moving images as the key weapons in contemporary armed conflict. The authors make use of information about the US, the UK, the ‘War on Terror’, the former Yugoslavia, former Soviet states, the Middle East and Africa.
War, Image and Legitimacy will be of great interest to students of war and security studies, media and communication studies, and international relations in general.
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