It is 1942 and the island of Malta is under siege by the dominant German air force. Out of the smoke and magnesium glare of bomb blast steps Rocco Raven, native of Brooklyn, New York, apprentice radioman and expert secondhand car dealer. His only contact is an American secret serviceman, Fingerley, whose rank upgrades with their every meeting and whose purpose is known to no-one but himself. Far from finding a role for Rocco, Fingerley leaves him to face the chaos alone. On only his second day there, his billet, on the top floor of a brothel, is blown to pieces. Without contacts or belongings, Rocco is left to wander the devastated streets of Valetta in a bewildered daze until he sees an apparition, a beautiful, ethereal woman. She is Melita, the Jukebox Queen of Malta, who spends her time delivering the jukeboxes wrought by her cousin from old automobile and gramophone parts to the bars and restaurants which must accommodate the beleagured civilian and military populations. It is the beginning of an extraordinary relationship that is at once passionate and guarded, which flourishes as the island's fortunes decline. Under the threat of starvation and in a world populated by the eccentrics of war, Rocco's seems to be the lone voice of sanity, until he too is affected by the madness around him and succumbs to the voluntary thrill of danger...
The Jukebox Queen of Malta is an extraordinary novel of passion and intrigue set in a world which seems perilously balanced between what is real and what is not. It is a magnificently evocative piece of storytelling, where the bizarre and heady atmosphere of a society under siege masks the uneasy truce between the Allied occupiers and the Maltese natives, and where the physical beauty is only tainted by the sense of mystery desecrated.
In the annals of great literature, Malta's one potential claim to fame is that it
might have been the location of Calypso's island in
The Odyssey; apart from that, this tiny, windswept island midway between Italy and Libya makes itself scarce on the fictional front. But Nicholas Rinaldi brings it front and center in his remarkable second novel,
The Jukebox Queen of Malta, and if his descriptions of the place leave you cold, his characters won't. Set during the early years of World War II, the story begins with the arrival of American soldier Rocco Raven, late of Brooklyn, during an air raid. While running from an attacking Messerschmitt, Raven is rescued by Jack Fingerly, a shadowy character who may--or may not--be an Army intelligence officer. To Rocco, a car mechanic in civilian life with a taste for Melville, Nietzsche, and Edgar Allan Poe, nothing about Malta makes sense--except his feelings for Melita Azzard, the eponymous heroine whom he meets during one of the incessant bombings that punctuate life on the island:
There was a freedom to the way she moved, a confidence and self-assurance. She paused to look up as yet another Stuka swept by, this one trailing a plume of black smoke from its fuselage. Then she looked back, over her shoulder, and saw him coming along half a block behind her.
Though the romance between Rocco and Melita is at the heart of the novel, Rinaldi has more than wartime love on his mind. His island is a marvelous place populated by unhappy pilots who get promoted every time they're shot down; repairmen who have turned jukeboxes into a wartime industry; old men who dream of a "Greater Malta" composed of an annexed Italy ("Sicily we don't want, it's too full of thugs and mafiosi. Rome we give to the pope, but the rest of Italy is ours"); and ordinary people who carry on their quotidian lives in the midst of not-so-quotidian carnage. There's a dreamy, disturbing quality to this novel, as though
Catch-22 and
Alice in Wonderland met and married. Rocco blames it on the island: "Malta was doing this--everything shifting, turning, uncertain"; the reader, however, knows better. This jewel of a novel owes everything to Nicholas Rinaldi's tilted imagination and considerable prose talents.
--Alix Wilber
