Kurt Schwitters, I is Style

Kurt Schwitters, with contributions by Rudi Fuchs, Siegfried Gohr, Gunda Luyken, and Dorothea Dietrich, and texts by Hans Arp, Rudolf Jahns, Georg Muche, Hans Richter, and Tristan Tzara

ISBN 10: 9056621580 / ISBN 13: 9789056621582

Published by Stedelijk Museum Amsterdam and NAi Publishers, Rotterdam, 2000

About this Item

8vo. Grey cloth lettered in black. 216pp. Illustrated in colour. Published on the occasion of the retrospective exhibition at the Museum der bildenden Kunste Leipzig and at the Stedelijk Museum Amsterdam; the publication was also available in German and Dutch editions ('Ich ist Stil' and 'Ik is stijl' respectively). Discusses Schwitters' 'place in modernism, his views on the role of the artist, his ties with America and his inimitable combination of word and image'. A representative selection from Schwitters' own writings is included, along with stories and essays by his contemporaries. Slight bumping at the tail edge and at the spine head, echoed by the jacket, which is slightly rubbed in general, the spine panel moderately faded (not affecting legibility), the lower panel with an unobtrusive price sticker. Very Good overall.

Seller Inventory # 009876

Bibliographic Details

• Title: Kurt Schwitters, I is Style
• Publisher: Stedelijk Museum Amsterdam and NAi Publishers, Rotterdam
• Publication Date: 2000
• Language: English
• ISBN 10: 9056621580
• ISBN 13: 9789056621582
• Binding: Hardcover
• Edition: First English Edition
• Condition: Very Good
• Dust Jacket Condition: Very Good

About this title

Synopsis

Artwork by Tristan Tzara, Kurt Schwitters. Edited by Jean Hans Arp. Contributions by Rudi Fuchs, Siegfried Gohr, Hans Richter.

Reviews

In the opening essay of I Is Style, editor Fuchs, director of Amsterdam's Stedelijk Museum, notes that Schwitters "has thus far been either relatively absent or been presented as a curious outsider. He was much more important than that." Both observations are true, but, one hopes, the two major exhibitions for which these catalogs were produced will help to raise his stature. I Is Style, accompanying a show seen in Amsterdam and Leipzig, mixes four essays on aspects of Schwitters's career with nine of his own short writings, six remembrances by his contemporaries, and more than 75 illustrations of his "merz" collages. Unfortunately, the essays are rather poorly translated and do not provide the sort of introduction to the artist and his diverse career one would expect from a retrospective catalog. And, though the bright and clear illustrations offer works from the full range of his collage output (1918-47), one wishes for some examples of his painting, sculpture, installations, and typographic works. However, Schwitters's poems and two-page autobiography (1926) and the recollections of friends are wonderful resources, which even those new to the artist will appreciate. The Sprengel Museum in Hanover, Schwitters's beloved home until he fled the Nazis, has put together a show that is both more comprehensive and more focused. The curators/editors set out to demonstrate the artist's continuing influence on many strands of contemporary art by presenting large-format illustrations of 230 works in all media by Schwitters as well as 80 more pieces by 32 other artists. The parallels between Schwitters and Louise Nevelson, Cy Twombly, Nam June Paik, Joseph Beuys, and other artists are sometimes subtle and sometimes striking but always thought-provoking. The ten short essays offer both biographical overview and investigations of his legacy to movements such as pop art, action art, installation art, and sound poetry. I Is Style belongs in university collections serving art history departments; In the Beginning Was Merz is highly recommended for all public and academic libraries that collect books on 20th-century art. Eric Bryant, "Library Journal"
Copyright 2001 Reed Business Information, Inc.