Larva Midsummer Night's Babel.

First published in Spain in 1983 and proclaimed “an instant postmodern classic, without a doubt the most disturbingly original Spanish prose of the century” (Encyclopedia Britannica 1985 Book of the Year), Larva is a rollicking account of a masquerade party in an abandoned mansion in London. Milalias (disguised as Don Juan) searches for Babelle (as Sleeping Beauty) though a linguistic fun house of polylingual puns and wordplay recalling Joyce’s Finnegans Wake. A mock-scholarly commentary reveals the backgrounds of the masked revelers, while Ríos’s punning and allusive language shows that words, too, wear masks, hiding an astonishing range of further meanings and implications. Larva‘s tale, a reassessment of the Don Juan myth in our time, is told in single-minded pursuit of double meanings, but it is serious play. It revives a Hispanic tradition repressed for centuries by introducing the Madhatter English tradition of puns, palindromes, and acrostics, by creating Joycean echoes and pushing language to its maximum connotative capacity. Larva has been praised by such leading Spanish-language writers as Carlos Fuentes, Juan Goytisolo, and Severo Sarduy, and establishes Ríos as the most accomplished successor to Joyce.

Julia?n Ri?os is Spain's foremost post- modernist writer. After co-authoring two books with Octavio Paz, Ri?os went on to write numerous works of fiction and nonfiction, including "Larva, Poundemonium, Loves That Bind", and "Monstruary", all of which have been published in English translation. He lives in Paris.

Having translated Manuel Puig, Julio Cortazar, Adolfo Bioy Casares, Guillermo Cabrera Infante, and other notable authors, Suzanne Jill Levine is one of the most highly regarded translators of contemporary Latin American literature. She is a professor of Spanish and Portuguese at the University of California at Santa Barbara, and the author of The Subversive Scribe: Translating Latin American Fiction.