A Love Divine

The sea called to Joseph of Arimathea the way a woman calls to her lover. From the time he was twelve years old, he could not resist his desire to sail for distant horizons. He had one other passion: Sarah, a dark-haired sprite of a woman whom he had loved from his childhood days. As a Jew during the Roman occupation of Palestine, Joseph would have to fight for both his loves.
Combining impeccable historical research with a story of incredible power, Alexandra Ripley re-creates Joseph of Arimathea's life and times. From the dusty roads of Palestine to the marble palaces of Rome to the fierce barbarian villages of ancient Britain, Joseph journeys toward destiny. He will nearly lose Sarah in a forced marriage to another, play a dangerous game of intrigue with Herod and Salome, and - in a moment that would change his life and that of his crippled daughter, Helena - meet the man called Jesus of Nazareth.

The deft use of historical detail trumps the uneven quality of her prose as Ripley's new novel (after the bestselling Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind) delivers a vivid portrait of the far reaches of the Roman Empire and of the life and times of Joseph of Arimathea. In a postscript to this lengthy work, Ripley notes that little is known about Joseph except that he was wealthy and gave his own tomb for the burial of Jesus. Basing her plot on the legend that Joseph was a seaman and tin trader who brought Christianity to England, Ripley weaves the tale of a farmer's son whose passion for the sea carries him to prominence and power while still young. She details his friendships with King Herod and Augustus Caesar, his lifelong love affair with his first wife (even after he remarries), his establishment of a Jewish settlement in ancient Britain among the Celts and their Druid priests, the healing of Joseph's crippled daughter by Jesus and, finally, Joseph's decision to preach the teachings of Christ throughout the Roman Empire. Jesus doesn't appear until late in the book; soon after, Joseph hears of the crucifixion and, in a beautifully rendered scene, removes the body from the cross. The dialogue tends to be wooden early on and contains concentrated doses of religious sentimentality when Joseph and his daughter begin their preaching. But Ripley creates several inspired historical cameos (Herod, Pontius Pilate, Salome) and skillfully incorporates a wealth of visual and architectural, as well as religious, political and social, detail into her engrossing story. Major ad/promo; author tour.
Copyright 1996 Reed Business Information, Inc.

The earnest, prone-to-ramble Ripley--of the oft-panned Scarlett, the sequel to Gone with the Wind, plus many others- -tackles a challenging, somewhat obscure subject here with distinctly mixed results. The first three-quarters of this epic comprise a carefully researched, minutely detailed and imaginatively conceived (it is, after all, fictional) ``biography'' of Joseph of Arimathea, the man who gave his burial site for the crucified Jesus of Nazareth and is credited with spreading Christianity to England and beyond. From the opening, when Joseph--a Jew and the son of a farmer--dreams as a 12-year-old of life as a traveler, then eventually marries his childhood companion Sarah, and still later goes on to highly successful business ventures transporting tin from far-off lands to King Herod's castles at Caesarea, Ripley is in control of her material and tells a gripping tale of an unfamiliar time with only a few lapses into anachronistic language. But the last quarter of the story--in which Joseph must face the aftermath of his friendship with the emperor Augustus (whom he befriended via Herod), the evil machinations of Sejanus the Jew Hater, the trials of Herod's son Herod Agrippa, the deaths of his beloved Sarah and wise old grandmother Rebekkah, the miseries of his only daughter Ella (who was born with useless legs)--moves at a ludicrously fast pace, as though the author realized at end that she still had a great deal of ground to cover. As a result, when Joseph finally encounters Jesus of Nazareth, who heals Ella's legs with a single kind phrase and begins his crucial mission of conversion, his words and newfound beliefs have more the superficial tone of the modern- day televangelist than they do the ringing certainties of a true believer. More detail about Joseph and his time--real and imagined--than many may have imagined wanting, but with the significant exception of her weakened conclusion, Ripley makes this informative read also entertaining. (Author tour) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

The author, well known for Scarlett (LJ 8/90), presents prodigious biblical research recreating the life of Joseph of Arimathea, a wealthy Jewish seaman who provided his own tomb for Jesus. Much of the story centers around the time preceding the birth of Christ when Joseph amasses a fortune from his love of the sea. He marries his true love, Sarah, when she is 12 years old; their child, born crippled, ultimately leads Joseph to Jesus. These are startling, often violent times, when the slightest deviation from religious law requires the sacrificing of live animals and when political deception regularly results in the deaths of hundreds. Ripley has fashioned an intelligent, resourceful character in Joseph, whose far-flung travels allow the epic to unfold in a natural manner. Although some dialog sounds too contemporary for a biblical setting and the length is formidable, this book will have strong appeal for readers of Christian and historical fiction. Recommended for all fiction collections.
-?Terrill Persky, Woodridge P. L., Ill.
Copyright 1996 Reed Business Information, Inc.

Last time out, Ripley took Scarlett O'Hara to Ireland and brought her home again. Now she's gone further back to the time of Jesus and focuses on the life of Joseph of Arimathea. Make no mistake, this is about Joseph, not Jesus, who only appears offstage and not even that for the book's first 500 pages. Up until then, Ripley's story takes Joseph from a boy who loved the sea, through his life of adventure, power, and privilege, and finally to the crucial moment when his crippled daughter leads him to Christ. Although the reader keeps waiting for this climax, it is something of a disappointment when it comes. Joseph never sees Jesus in the flesh, instead finding his faith via a wilderness encounter with the risen Christ. Joseph's subsequent effort to convert the Celts to Christianity ends the story on an uplifting note. Best, though, is the lavishly detailed story of Joseph's life before Christianity. Ripley displays the talent of the historical fiction writer--the ability to re-create a world and people it with characters who, though removed in time, seem not so different from the reader. Almost nothing is known about Joseph except the biblical references to him and the legend that he converted England, so it was up to Ripley to mingle historical fact with storytelling, and for the most part, she succeeds. Expect this to appeal both to readers of historical novels and Christian fiction. Ilene Cooper