Matthew Ritchie: The Morning Line - Aranda Lasch, Arup Agu - with Vinyl-Audio

Edited Eva Ebersberger, Daniela Zyman. Preface by Francesca von Habsburg. Text by Benjamin Aranda, Brandon LaBelle, Helene Furján, Chris Lasch, Tony Myatt, Hans Ulrich Obrist, Matthew Ritchie, Roland Schöny, Mark Wasiuta.

ISBN 10: 3869842423 / ISBN 13: 9783869842424

Published by Verlag für moderne Kunst, Nürnberg, 2012

About this Item

Z : 140 Seiten/pages, 70 Farbabbildungen/illustrations in color / 2 posters / vinyl record. - Situated at the interaction of art, architecture, music, mathematics, cosmology and science, Matthew Ritchie s The Morning Line is a 33-foot high sound pavilion, constructed in aluminum and conceived in part as a successor to Edgard Varčse and Le Corbusier s pavilion for the 1958 World s Fair, and Fritz Bornemann s Expo 70 Pavilion. Designed in collaboration with New York-based architects Aranda Lasch, the Arup Advanced Geometry Unit and the Music Research Centre of York University, the structure was inspired by the cosmological theories of Paul Steinhardt and Neil Turok, and offered a sonic environment in which newly commissioned works by well-known musicians were performed. This survey of the project includes a book containing Todd Eberle s photographs of the structure, a poster, a newspaper and a red vinyl LP with music by contemporary electronica musicians such as Alexej Borisov, Tommi Grönlund, Petteri Nisunen, Christian Fennesz, Carsten Nicolai, Zsolt Olejnik, Finnbogi Petursson, Franz Pomassl, Terre Thaemlitz and Zavoloka.

Seller Inventory # ABE-1615913437939

Bibliographic Details

• Title: Matthew Ritchie: The Morning Line - Aranda Lasch, Arup Agu - with Vinyl-Audio
• Publisher: Verlag für moderne Kunst, Nürnberg
• Publication Date: 2012
• Language: English
• ISBN 10: 3869842423
• ISBN 13: 9783869842424
• Binding: Softcover
• Edition: 1. Auflage
• Condition: Sehr gut
• Seller catalogs:
  • Contemporary art
  • Installations
  • Musik

About this title

Synopsis

Situated at the interaction of art, architecture, music, mathematics, cosmology and science, Matthew Ritchie’s “The Morning Line” is a 33-foot high sound pavilion, constructed in aluminum and conceived in part as a successor to Edgard Varčse and Le Corbusier’s pavilion for the 1958 World’s Fair, and Fritz Bornemann’s Expo ’70 Pavilion. Designed in collaboration with New York-based architects Aranda Lasch, the Arup Advanced Geometry Unit and the Music Research Centre of York University, the structure was inspired by the cosmological theories of Paul Steinhardt and Neil Turok, and offered a sonic environment in which newly commissioned works by well-known musicians were performed. This survey of the project includes a book containing Todd Eberle’s photographs of the structure, a poster, a newspaper and a red vinyl LP with music by contemporary electronica musicians such as Alexej Borisov, Tommi Grönlund, Petteri Nisunen, Christian Fennesz, Carsten Nicolai, Zsolt Olejnik, Finnbogi Petursson, Franz Pomassl, Terre Thaemlitz and Zavoloka.