Music and Memory: An Introduction
Bob Snyder
Sold by Southampton Books, Sag Harbor, NY, U.S.A.
AbeBooks Seller since August 1, 2012
Used - Soft cover
Condition: Used - As new
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by Southampton Books, Sag Harbor, NY, U.S.A.
AbeBooks Seller since August 1, 2012
Condition: Used - As new
Quantity: 1 available
Add to basketFirst Edition, 6th Printing. Published by MIT Press, 2000. Octavo. Paperback. Book is like new. Great copy of this engaging music title.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Seller Inventory # 372190
This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, and recognition. The second part describes in detail how the concepts from the first part are exemplified in music. The presentation is based on three levels of musical experience: event fusion (the formation of single musical events from acoustical vibrations in the air, on a time scale too small to exhibit rhythm), melody and rhythm, and form. The focus in the latter is on the psychological conditions necessary for making large-scale—that is, formal—boundaries clear in music rather than on traditional musical forms. The book also discusses the idea that much of the language used to describe musical structures and processes is metaphorical. It encourages readers to consider the possibility that the process of musical composition can be "a metaphorical transformation of their own experience into sound."
The book also touches on unresolved debates about psychological musical universals, information theory, and the operation of neurons. It requires no formal musical training and contains a glossary and an appendix of listening examples.
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Southampton Books
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