Synopsis
In music, digital technology is used in every facet of production from preparation of scores to recording, editing, mixing and mastering. While many books do an excellent job of explaining technological concepts such as sequencing and synthesis, few provide insights into how to actually use new technology to create music. This book teaches students, hobbyists, multimedia specialists and professionals both the technical and musical aspects of computer-based music production. Concepts such as sequencing, synthesis, and digital editing are presented in a holistic, approachable way that is applicable to products from a wide range of vendors. Musical concepts such as compisition, arranging and orchestration are explained in a way that can be easily assimilated and applied to a wide variety of projects ranging from traditional acoustic ensembles to synthetic orchestrations.
About the Author
For the past twenty years, Brent Edstrom has utilized music technology as an integral part of an active career as a performer, composer, arranger, transcriber, and music synthesist. Highlights of industry work include hundreds of arrangements and transcriptions for the Hal Leonard Publishing Corporation, music for industrial films and regional television, arrangements for symphony orchestra, and session work for a wide variety of recording projects. In the realm of traditional composition, his pieces have been featured at universities and major festivals such as the International Trumpet Guild. His theoretical work includes an ongoing publishing project on the topic of music notation algorithms in C++. Edstrom currently works as a freelance arranger for the Hal Leonard Corporation and coordinates the music theory and composition program at Whitworth College.
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