The Pamphilj and the Arts: Patronage and Consumption in Baroque Rome; (includes a fine copy of "Galleria Doria Pamphilj, Masterpieces: Paintings")

Leone, Stephanie C., editor

ISBN 10: 1892850176 / ISBN 13: 9781892850171

Published by McMullen Museum of Art, Boston College, Boston, 2011

About this Item

Softcover in illustrated wraps. First edition. Very good condition. Crease on rear cover and light wear along edges. Published conjunction with a 2010 conference of the same name at Boston College. Essays by various scholars. Sparsely illustrated, with a section of color plates at end. 4to. 329 pp. The second item is a 1993 softcover book by Eduard A. Safarik published in Florence by Scala for the Societa Arti Doria Pamphilj. Text is in English, plates are in color. 4to. 47 pp. Fine condition. The total packed weight of the books is six pounds and will require additional postage if shipped outside the U.S.

Seller Inventory # 96335

Bibliographic Details

• Title: The Pamphilj and the Arts: Patronage and Consumption in Baroque Rome; (includes a fine copy of "Galleria Doria Pamphilj, Masterpieces: Paintings")
• Publisher: McMullen Museum of Art, Boston College, Boston
• Publication Date: 2011
• Language: English
• ISBN 10: 1892850176
• ISBN 13: 9781892850171
• Binding: Softcover
• Edition: First Edition.
• Condition: Very Good

About this title

Synopsis

In September 1644 the election of Pope Innocent X Pamphilj catapulted his family to the height of Roman society. From that moment on, the Pamphilj became active patrons of the arts, which were harnessed as the visual expression of the family’s new identity.

This volume presents the proceedings of the conference The Pamphilj and the Arts: Patronage and Consumption in Baroque Rome, which washeld at Boston College in October of 2010. Set within the social, religious, and cultural context of Rome, this research examines from the perspectives of art history, history, theology, musicology, and literary studies the patronage of three generations of the family: Innocent X; Prince Camillo Pamphilj and his wife, Princess Olimpia Aldobrandini; and  Cardinal Benedetto Pamphilj. The papers consider, in particular, the life, character, and influential role of Cardinal Benedetto Pamphilj in shaping the visual arts, music, and literature of late Baroque Rome from his elevation as cardinal in 1681 to his death in 1730.

About the Author

Stephanie C. Leone is associate professor of Italian Renaissance and Baroque art at Boston College.