The Pied Piper
Language: English
Published by Hyperion (edition First Edition), 1998
Series: Book 5 of 9 - Boldt & Matthews
- First Edition
- Hardcover
- Used

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Condition: Used - Fair
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The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Seller Inventory # 0786863005-7-1
- Title
- The Pied Piper
- Author
- Pearson, Ridley
- Publisher
- Hyperion (edition First Edition)
- Publication year
- 1998
- Condition
- Fair
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 0786863005
- ISBN 13
- 9780786863006
- Edition
- First Edition.
- Series
- Book 5 of 9: Boldt & Matthews
"Synopsis" may belong to another edition of this title.
Reviews
Copyright 1998 Reed Business Information, Inc.
Seattle cop Lou Boldt's been promoted to Lieutenant and shifted from Homicide to Intelligencebut all the changes don't protect him from the most painfully intimate contact with a kidnapper of small children. The Pied Piper, who restricts his prey to infants and leaves a signature pennywhistle in each empty nursery, has been plying his trade for long months up and down the West Coast before he snatches little Rhonda Shotz from her babysitter. And Gary Flemming, the bullying Seattle FBI agent, has been tracking him without success. Now that Boldt's been yanked from his wife Liz's side (she's hospitalized with lymphoma) and put in charge of the task force his own captain has formed, the usual jurisdictional sparks are bound to fly. This time, though, the sparks are as hot as the fires in Beyond Recognition (1997). Just as Boldt and his teamhis successor at Homicide, Sgt. John LaMoia; forensic psychologist Lt. Daphne Matthews; Scientific Investigation Director Bernie Lofgrin; and the scaldingly resentful FBIbegin to comb far enough through the scant physical evidence to link the Pied Piper to a low-rent shamus and a bustling methamphetamine lab, the Piper snatches Boldt's own daughter Sarah to insure that he keeps the task force muzzled. Consumed with grief and guilt, Boldt's still sharp enough to see that the Piper's been getting information from inside the task force. His only option is to work against his own team, running his own secret investigation while spreading disinformation that'll keep the Piper contentunless the inside informant realizes what Boldt's doing. Slowly, slowly, Boldt moves from following the Piper to anticipating his next move, as the scene shifts to New Orleans, where the police ``emphasize relationships over the letter of the law.'' Though the Piper, once revealed, scarcely seems monstrous enough to have caused the cast members so much heartache, Pearson proves once again that he can put together a big-scale, big-time police manhunt better than anybody else in the business. ($250,000 ad/promo, including mass-market Beyond Recognition; Literary Guild selection; author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Pearson fans better prepare themselves for another excruciating ride on the most elaborate suspense rollercoaster on the market. The Lou Boldt^-Daphne Matthews novels remain unparalleled in their masterful mixing of endlessly fascinating forensic detail, human drama, and airtight plotting. This time, recently promoted Seattle Police Lieutenant Boldt and forensic psychologist Matthews attempt to catch the Pied Piper, a kidnapper who snatches infants from their cribs and leaves a toy flute as his calling card. Moving from city to city up the West Coast, the Piper has completely confounded both the FBI and local police. Boldt quickly learns how he's done it: by kidnapping one of the cops' kids and forcing the crazed parent to torpedo the investigation if he wants to see his child alive. Boldt is the latest victim, forcing him to abandon his all-consuming dedication to police work in the interest of his little girl: "The truth, which Boldt held as an absolute, was suddenly a product of context. One could distort it, bastardize it, destroy it as one saw fit. The Pied Piper had not only stolen his daughter, he had stolen his life." That's typical of Pearson: never satisfied with one-dimensional suspense (Is there a bad guy behind that next tree?), he always delivers internal conflict as well as external drama, the psychological suspense of Ruth Rendell melded to the plot-driven tension of John Grisham. It's a can't-miss combination, as Pearson's track record proves. Bill Ott
"About the title" may belong to another edition of this title.
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