Piranesi's Candelabra and the Presence of the Past: Excessive Objects and the Emergence of a Style in the Age of Neoclassicism

VAN ECK, Caroline

ISBN 10: 0192845667 / ISBN 13: 9780192845665

Published by OUP Oxford, 2023

About this Item

~No ownership marks. As new. With dustwrapper. ~Robust packaging. Tracking can be added to overseas orders on request. Size: xviii,200., many illus 25.5 x 19.5 cm.

Seller Inventory # WW7475

Bibliographic Details

• Title: Piranesi's Candelabra and the Presence of the Past: Excessive Objects and the Emergence of a Style in the Age of Neoclassicism
• Publisher: OUP Oxford
• Publication Date: 2023
• Language: English
• ISBN 10: 0192845667
• ISBN 13: 9780192845665
• Binding: Hardcover
• Edition: 1st edn.
• Condition: Fine
• Dust Jacket Condition: Fine
• Seller catalogs:
  • Art & Topography

About this title

Synopsis

Near the end of his life, Giovanni Battista Piranesi (1720-78) created three colossal candelabra mainly from fragments of sculpture excavated near the Villa Hadriana in Tivoli, two of which are now in the Ashmolean Museum, and one in the Louvre. Although they were among the most sought-after and prestigious of his works, and fetched enormous prices during Piranesi's life, they suffered a steep decline in appreciation from the 1820s onwards, and even today they are among the least studied of his works. Piranesi's Candelabra and the Presence of the Past uncovers the intense investment, by artists, patrons, collectors, and the public around the start of the nineteenth century in objects that made Graeco-Roman Antiquity present again. Caroline van Eck's study examines how objects make their makers or viewers feel that they are again in the presence of Antiquity, that not only Antiquity has revived, but that classical statues become alive under their gaze. what it takes to make such objects, and what it costs to own them; and about the ramifications of such intense if not excessive attachments to artefacts. This book considers the three candelabra in depth, providing the biography of these objects, from the excavation of the Roman fragments to their entry into private and public collection. Van Eck considers the context that Piranesi gave them by including them in his Vasi, Candelabri e Cippi (1778), to rethink the processes that led to the development of neoclassicism from the perspective of the objects and objectscapes that came into being in Rome at the end of the eighteenth century.

About the Author

Caroline van Eck, University of Cambridge

Caroline van Eck studied art history at the Ecole du Louvre in Paris, and classics and philosophy at Leiden University. She obtained a PhD in aesthetics at the University of Amsterdam in 1994. She has held teaching positions at the Universities of Amsterdam, Groningen, and Leiden, where she was appointed Professor of Art and Architectural History in 2006. She has been a Visiting Fellow at the Warburg Institute and the Paul Mellon Centre for British Art at Yale University, a Visiting Professor in Ghent, Yale, York, and the Ecole Normale Supérieur in Paris, and in 2018 held the Panofsky Chair at the Zentralinstitut für Kunstgeschichte in Munich. In September 2016, she was appointed Professor of Art History at the University of Cambridge. She delivered the 2017 Slade Lectures in Oxford.