Psycho Paths: Tracking the Serial Killer Through Contemporary American Film and Fiction

Philip L. Simpson

ISBN 10: 080932329X / ISBN 13: 9780809323296

Published by Southern Illinois University Press, Carbondale, IL, 2000

About this Item

Very good or better. Flat spine with no cracks or creases. No markings.

Seller Inventory # 125888

Bibliographic Details

• Title: Psycho Paths: Tracking the Serial Killer Through Contemporary American Film and Fiction
• Publisher: Southern Illinois University Press, Carbondale, IL
• Publication Date: 2000
• Language: English
• ISBN 10: 080932329X
• ISBN 13: 9780809323296
• Binding: Trade Paperback
• Edition: First Trade Paperback
• Printing: 1st Printing
• Condition: Very Good
• Seller catalogs:
  • cinema

About this title

Synopsis

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century.

Citing numerous sources, Simpson argues that serial killers’ recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionary, whose murders privately and publicly re-empower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between the extremist philosophies of both the New Right and the anti-New Right.

Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of in-depth an analysis of the best American work in the genre. He has chosen novels and films that have at least some degree of public name-recognition or notoriety, including Red Dragon and The Silence of the Lambs by Thomas Harris, Manhunter directed by Michael Mann, Henry: Portrait of a Serial Killer directed by John McNaughton, Seven directed by David Fincher, Natural Born Killers directed by Oliver Stone, Zombie by Joyce Carol Oates, and American Psycho by Bret Easton Ellis.

About the Author

Philip L. Simpson is an assistant professor of communications and humanities at the Palm Bay campus of Brevard Community College, Palm Bay Florida.