RETURN TO CITY WHITE DONKEY

In his fourteenth collection of poetry, Pulitzer Prize and National Book Award winner James Tate continues exploring his own peculiar brand of poetry, transforming our everyday world, a world where women give birth to wolves, wild babies are found in gardens, and Saint Nick visits on a hot July day. Tate's signature style draws on a marvelous variety of voices and characters, all of which sound vaguely familiar, but are each fantastically unique, brilliant, and eccentric.

Yet, as Charles Simic observed in the New York Review of Books, "With all his reliance on chance, Tate has a serious purpose. He's searching for a new way to write a lyric poem." He continues, "To write a poem out of nothing at all is Tate's genius. For him, the poem is something one did not know was there until it was written down. . . . Just about anything can happen next in this kind of poetry and that is its attraction. . . . Tate is not worried about leaving us a little dazed. . . . He succeeds in ways for which there are a few precedents. He makes me think that anti-poetry is the best friend poetry ever had."

James Tate's poems have been awarded the National Book Award, the Pulitzer

Prize, the Wallace Stevens Award, the William Carlos Williams Award, the Yale

Younger Poets Award, and the National Institute of Arts and Letters Award, and

have been translated across the globe. Tate was a member of the American

Academy of Arts and Letters; his many collections include The Lost Pilot, The

Oblivion Ha-Ha, Absences, Distance from Loved Ones, Worshipful Company

of Fletchers, and The Ghost Soldiers. Born in Kansas City, Missouri, he made his

home in Pelham, Massachusetts.