Rastafari and the Arts: An Introduction
Middleton, Darren J. N.
Sold by a2zbooks, Burgin, KY, U.S.A.
AbeBooks Seller since March 23, 2004
Used - Soft cover
Condition: Used - Very good
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by a2zbooks, Burgin, KY, U.S.A.
AbeBooks Seller since March 23, 2004
Condition: Used - Very good
Quantity: 1 available
Add to basketGently used in very good condition. Text appears to have highlighting. Binding is tight. Cover looks great with minor corner bumps and dings. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; ISBN: 041583189X. ISBN/EAN: 9780415831895. Pictures of this item not already displayed here available upon request. Inventory No: 1561051202.
Seller Inventory # 1561051202
Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.
Darren J. N. Middleton is Honors Faculty Fellow and Professor of Religion in The John V. Roach Honors College, Texas Christian University. He has published eight books, received several teaching awards, and he lives in Fort Worth.
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